Two extremes co-existing together in perfect harmony. Symbiosis in dichotomy. This photo is from a recent shoot with an American artist and model Mandy Jane. We set the shoot for 7 am in Yokohama. It was gloomy, rainy and cold, so we had to shoot anywhere with a roof over our heads. Most of the shots are from the underground tunnels in Minato Mirai. We searched for any place with good light, be it natural from outside, artificial or mixed. There is no perfect weather, light or place to shoot. If you understand how light works and how to control it or use it to your advantage, then you can shoot anywhere and anytime. But you can go even one step further, and reshape the light or change the quality of light in photoshop. This is why the skill of shooting with a vision of post processing is so important in my workflow.
Taking a great photo is as complex as sensing how to post process it. This shot was lit by natural light, with delicate influence of artificial ambient light. Light is soft and supple. It was coming through a huge entrance to the underground passages. Now, the light on Mandy's face is soft and delicate, just like her distant and remote expression. Light on the metal blinds at the background, is also soft, but their shape creates dramatic conversation between light and shadow. I purposely softened the light hitting the model even further, because I knew that I want to change the light quality of the background to much more powerful and hard. Parallel horizontal lines create another contrast, because they introduce stability and harmony. This photo expresses a quite intimate moment in a powerful and dramatic setting, but cocooned in a strong vignette which encloses the scene. This is also why I photoshopped out the bottom line which was too bright, and darkened the top one, and also warped the whole left hand side of the photo outwards.
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