I look at boudoir and nude photography as I look at my Japanese calligraphy art. It is all about undisturbed energy flow, grace of lines and curves, and the balance between the mood and the form. It is a dialogue between the model and the space around her. I really enjoy capturing people at those unique moments when they zone out for a split second, moments when their mind is somewhere else. Then all I do is photograph the lines and shapes their body forms dressed in highlights and shadows in connection with their thought flow, linking what you can see and what you can only imagine. If you follow me on my blogs you know well that photo retouching plays a huge role in my photography art, and I absolutely love taking my time to retouch every single photo. I find the photo editing process extremely creative and exciting. I hear photographers saying so many times *I would rather be out there shooting than in front of my Pc editing*. I could not disagree with this more! Taking a photo is only a small step in a vast creative process of visualising and realising the final image. I believe that when a photographer starts using automated presets to edit 10s or 100s of photos with a few clicks of a mouse, he or she turns something that could be very unique into a very common and rather dull image. We are very jaded and consumed so much as a human race, that most of us cannot distinguish anymore between art and and a visual insult on our sensitivity. People are confused rushing through life, being too busy to take their time to think what they really like deep inside, and instead they follow the general trend appreciated by the masses. Do not be a sheep and feel it yourself. Art should not be about speed and efficiency, but the the emotion it evokes when you look at it. I do not want to have to rush through the photoshoot, which is why I set my fees to per final edited photo count and not per hour. The final result is so important for me, that I am and will refuse anyone who is approaching me for mere snapshots, or asking me to shoot for 3h and pass 50 or 70 photos to them. As an artist I actually find such requests somewhere between sad and insulting. Portrait photography is all about psychology, sparking a moment, telling a captivating story, capturing an image that will make you wonder or pause for a while, but it also has to allow one achieve artistic fulfillment. This simply cannot be rushed. It takes time to get to know who you shoot, combat their camera fear, lack of confidence, and other issues that a model or client may have. I care more about my images than those who pay for them, in fact I care so much I can take even an hour only to browse through a few shots and think which image from a series of images of a certain look I want to edit. Photo editing is a long process if done properly. A single portrait can take anywhere between 1.5 to 4 or more hours. Extremely creative portrait photography manipulations can take a whole day. There are many ways in which an image can be retouched, from a more traditional way like the one you can see below, to a fantasy theme. When you pick a photographer do not base your decision on the price, but the style and quality of his or her portfolio, the skills and passion that drives them, creativity and attention to details, and last but not least their personality. You should not only enjoy the final photos, but also the experience of being photographed.
Cropping images is an art and it is the final touch to your photo just like the seal of a Japanese calligrapher pressed at the very end on the work. There is a saying that goes "印鑑までの作品", which means "a (perfect) work (is one that goes) all the way to the (author's) seal". The same in photography, cropping is a very powerful tool in your photo editing arsenal. Most of my portraits are cropped in camera during shooting, but sometimes I create composites or change the background, like in this photo of Katie. She was cut out and placed on a new background, and since she wanted a circle shaped final shot I had to place her in the dead center of the frame (see the photo to the right). Now I would never shoot a portrait this way, unless it was for a poster with some promotional materials or texts waiting to be added, then I would make space for it. So, I had to go in and crop the image to make her really shine. Below you can see 5 different crops that I created and all of them have a slightly different feel. Crop 1 would be sliced in the headshot style for corporate use or for a bio on a website. Do not be afraid to cut tops of the heads, but when you do that make sure it is balanced with the space below the chin and around the face. Also pay attention to the background texture, it is important that it does not overpower the face, which is the main focus (scroll down to read more).
Crop 2 is a perfect square, which is a common format used by social media pages. Two things you need to remember when cropping images for such sites. 1. the are in square shape, and 2. they are usually tiny, so make sure that the face is filling the frame as much as possible. I placed her a bit to the left hand side of the frame, to create asymmetry which is perfectly empowered by the intersecting diagonal lines (created by both shoulders and the eyes). This creates an illusion of a triangle shape, and goes well with slanting lines of the background. Dynamic crop introduces movement and since she looks dynamic and jolly it fits perfectly.
Crop 3 is what Katie wanted for her page. Here I placed her eyes along the center line and cut off part of her right shoulder. The leading lines of the jacket going up and then curving with her face outline to the right forces eyes to circulate, which supports the shape of the crop. Note that Crop 1,2 and 3 have a corporate feel with emphasis on Katie but there is enough space for the background building to be registered by a viewer as an important element of the photo, even though it is out of focus. Background can be a powerful ally.
Crop 4 is more centered and looks it gives Katie more powerful image. Her being in the center suggests control, but at the same time her cheerful smile makes her approachable. This is a cross-over between a corporate shot and a more casual profile photo for a webpage. This could also be cropped lower, which would cut the top of her head and showed a bit more of the neck. I cropped it this way to move her eyes to the center.
Crop 5 has a corporate feel again, but it is in a vertical orientation. I sliced the right shoulder and emphasized the other one which is in perfect alignment with the building. The part of the building to the left frames her from the other side and it creates a narrowing effect which pushes the viewer's eyes to her face. Those buildings also create a natural vignette which introduces contrast and redirects the attention to Katie. She is a bit off center to the left, which balances the way she stands, the direction she is facing to and mirrors the direction the light is coming from.
If you are looking for a professional portrait photographer or need your profile photo or headshot taken, then you should consider a unique offer of my studio in Tokyo. I am a multi-genre artist with nearly two decades of experience in visual arts. In addition to professional photography service I offer high-end magazine quality photo editing. Each of photos that leaves my studio and is being delivered to my clients received a special and individual attention. No presets, no bulk editing, it is all done manually and with care. Now many people realize that photo editing is a very old practice, and it was also performed during film days. Digital photography era offers much more control and many more options as well as more precision and refinement. Photo editing process is very time consuming and requires artistic skills and a vision. Editing and photography is linked strongly together and non-edited images do not look professionally. They lack the final polish, impact, contrast, custom color toning, shadow smoothing, blemish removal, composition adjustments, etc. Whether you plan to use the photo for promoting your business or for private purposes, it is always a good idea to get the most out of the experience, and have a nice memory for later years of for your closest ones.
Watch below video to see a photo editing workflow sped up 5000 times, which shows in a timelapse-like fashion the entire editing process of a single photo.
Contact me directly to book my photography services or schedule private photography workshops in Tokyo or photo editing workshops worldwide (via skype desktop sharing)
Photography is an art and one can produce stunning photos straight out of camera. However, a skillful photo editor can elevate such photos to a completely new level. Photo editing is a huge knowledge and requires a lot of patience and time, constant studies from various disciplines, including human anatomy, color management, behavior and qualities of light, etc. To edit portraiture you literally have to be a painter, in order to blend and smooth out blemishes, unflattering skin shadows and skin tone issues. Human skin is complex and it is a theater for the game of shadows and highlights. It is virtually impossible to capture a relaxed and healthy looking image without any editing process. Now there are those who take shortcuts and do lazy editing, which results in blurry skin, loosing pore details and obliterating face features, and such editing is done by photographers who either lack the skill, or those who simply prefer to bulk edit photos and move on to another client to make more money. Those type of photographer also use presets and with one click sort out 10s of photos. This also why their photographs look all the same. Photo retouching is an art, and it is way more time consuming than actual shooting. A single portrait editing can take up from 1.5 to 4h, or more, depending on which direction I want to go with it. Is it a straight forward editing, a photoshop manipulation, a creative toning, etc. The devil is hidden in details, and when you take care of the details the rest will fall into place. I work on skin pore level, often zoomed in way past 100% of the actual image size in order to correct small issues that when fixed become apparent. Good photography is always vision-driven, and the shutter click is literally the last step in capturing a good image. No matter what gear you use, how many assistants you have, if you are not in love with light and do not understand human psychology, you will not make a good portrait photographer. Then come editing skills, and those are vastly important in combining all the elements together - the vision, the captured image, understanding of your model and the ability to feel the image. Those who think that photo retouching is unnatural should ask themselves those questions: Is art supposed to be natural or appealing? Is female make-up or hair styling natural? Were Picasso's paintings realistic? Are brand items really needed? Do you like concept cars? Should we all listen to the same music? I hear a lot of photographers say "I prefer to be out there shooting than sitting in front of the PC editing". For me editing is far more creative than taking photos, and offers a true freedom of creation. Being just a photographer sounds a bit limiting to me. I need more than that.
Photo editing is essential in the era of RAW digital photography. Majority of people do not realize that professional photographers do not take photos in.jpg format, but in RAW file format. If you set your camera to produce .jpgs, then the camera does the editing for you. It is the same as setting camera to automatic mode and let it do all the job. No good photographs can come out of such practice. RAW files straight from the camera are flat and without much saturation or contrast, though it all depends on the type of camera used and lens quality. The whole idea of shooting in RAW is to post process the image in Photoshop or Lightroom, and imbue it with personal style. However, portrait editing is not all about removing skin blemishes and smoothing the shadows to make skin look more relaxed and even. Color toning is something that can change a good photo into an amazing one just by skillful adjustments done to colors and tones. Toning changes the mood, look and creates this magazine look that people tend to enjoy, but are not sure why. Professional photo editing could be compared to music in a movie. If you notice the music and it is too obvious you will not enjoy it. Best music is one that fits, but you perceive it only on subconscious level without noticing it is there. For private photoshop workshops via skype please contact me directly or see this page.
When you film moving people in any type of motion, there is a good chance that they will look natural. Now a still photo is a whole different story. Most of photos showing movement will look unnatural and unbalanced, and that is because they freeze one frame of a sequence of moves that only if combined together in fast motion bring balance to that action. In this photo I was photographing a performing belly dancer and shot maybe 25 frames out of which 2 were fairly good, but still not good enough for me to call it a perfect shot. So, I realized that if I combine 3 photos into one in photoshop and select gestures that would show continuity and add some meaning and reason for this pose it will make more sense and balance the photo. Knowledge of how to post process your photos will not only vastly improve the look of your images and give them a unique look, but it gives you freedom of following your vision as an artist, not just a photographer. If you are interested in learning photoshop, contact me for more info.
Everyone can take a snapshot, a few can take a photograph, even fewer can make it fine art image. But for me capturing a photo is merely half way, if not less. Photo editing this days is either abused by those who search for shortcuts, photographers who want to mass produce their images by one-clicking a preset in Lightroom that will edit 100s of photos in minutes, or underestimated by the viewers. We live in era of Instagram garbage, small screens on which you can barely see anything, and so many photos online that no wonder people have troubles with recognizing what is the difference between quality work and something rather dull just colorful. Editing for me is an art form, and one has to be an artist to be able to edit images with a vision, sense of beauty and consistency of ever-evolving style. Being a multi-genre artist, I enjoy merging various forms of visual arts together, be it digital art and photography, creating photo manipulations, or by merging Japanese or Chinese calligraphy art of my authorship with my photography. Calligraphy can be intimidating due to its highly abstract nature, but when accompanied by an image, it much more approachable and perhaps can be appreciated from a different angle.
Calligraphy art in semi-cursive script: 雲中白鶴 (lit. white crane in clouds / meaning; someone of pure heart and transcendent character)
It is said that if a photo does not look good in color, it could still look decent in black and white. Indeed, but only to some extend, but even if it is so it's usually down to pushing it. The truth is that if you want to have great results in black and white, you should post process your photo in color first. If you capture something really interesting, and the shot is slightly out of focus or the composition is off, sure thing, convert it to black and white, throw some filters and call it art. But if you are serious about your portfolio or the quality of your photography art, then you will want your photos to look amazing regardless of whether they are in back and white or color. For me, black and white conversion takes LONGER, than editing photos in color. I make sure I got my shot tuned in color version, and then I work on black and white. I usually decide on post processing in the very moment of capturing the image, especially that retouching is an integral and essential ingredient of a successful image. If you want to learn more about black and white conversion watch my full length in-depth photoshop video tutorial.
No matter who I am photographing, I always say the same thing - I need good light and natural body language, and the rest can be fixed in post production. Modern photography is all about those three elements, and retouching is a seriously underestimated powerhouse. If you are a pro or amature photographer, and especially if you are a portrait photographer, you must learn photo retouching or else your photos will be weak. And I do not care about what all the "pure photography" idiots tell you, they just jealous, lazy or not talented enough to be able to work their own photos. I go even further, I think that post processing is more important than shooting, and the reason for this is simple - the possibilities you have with photoshop (forget lightroom and all the presets, leave that crap for lazy people), provided you have an artistic sense and vision, are endless. For anyone interested in private photoshop workshops, see here. Portrait editing is all about fixing all small issues that we all have as humans, like tiny skin discolorations, skin unevenness, over pronounced features due to unfortunate lighting, things that mess up the compositions but could not be dealt with in camera, and so on. If your editing skills are low, you are stuck with what you capture. Photography is not about what you capture, but what you want to share and show. Photography should not be a xerox copy of reality, but an image of a combination of your own artistic vision with the energy of the unique moment in time that you have witnessed.
Kids and old people - the best you can capture on camera. Kids because they are so pure, so unpredictable, so honest and raw and so everywhere in the same second. Old people because they are like kids, but with suitcases of life experience written all over their faces, no ego, no masks, just peace and tranquility. I captured this image today at Narita san temple complex near Tokyo, one of my favorite photography spots, and most amazing temples in Japan. I do not know who this lady is or what is her name or what was she thinking about before she spotted me taking her photos, so make your own story.
Unless you shoot high fashion, model photography, or going for some special look, backlit portraits are the best. The person doesn't squint, you have a beautiful rim light, and it just looks incredibly flattering. Especially if you shoot mature models, you do not want any harsh light on them. I took this photo without any fill light, and I was relying on the reflected light from the nearby walls, the ledge at the bottom, and also the highly reflective gold color background helped a lot to lift the light levels, and boost the colors. Good portraiture is all about understanding the light and the face features of your model, as well as confidence in your editing skills, especially if you shoot without any fill light. The person you photograph should be brighter than the background, so she or he stands out, regardless of how blurred and background is. There has to be a contrast between the eyes, face and the background, drawing you inside the image, creating a center point of the image and tone based leading lines or leading planes as I call them.
I have been studying Japanese calligraphy for about 14 years now, and from the very beginning I was extremely lucky to be accepted by Grand Master Kajita Esshuu (梶田越舟) .as his disciple. I have spent over 20 years of my life in various schools, including two universities, overseas schools, etc., yet still he is hands down the best teacher and mentor I have ever head. Grand Master Esshuu is so peaceful and humble that one can almost forget how insanely knowledgeable this man really is. He is a descendant of great Japanese Masters, historical Japanese calligraphers, such as Grand Master Kusabe Meikaku 日下部鳴鶴 (1938 - 1922), who had 3000 disciples and was known as one of the Three Brushes of Meiji Era (three greatest calligraphers of Meiji Era), Grand Master Hidai Tenrai (比田井天来, 1972 - 1939), who was known as the father of modern Japanese calligraphy, and Grand Master Kuwahara Suihou (桑原翠邦, 1906 - 1995), who was so respected in Japan, that he was asked by the Imperial couple to assist them to the mausoleum of Hidai Tenrai and introduce them to his works. Here is a portrait of Esshuu sensei that I took recently. I made it into a faded and slightly damaged photo, and contrasted it against his genuine carefree smile, which is something you cannot find on antique photographs. I thought it would bridge between what is in the past and the present times.
I am not too fond of typical studio shots, with almost flat lighting on the model and plain white background. Those kind of shots are mostly used for ads in magazines, in which the model is removed from the background and the image can be manipulated in every way possible. The problem is that those kind from shots are on the boring side. The light is dull, they all look the same, there is no power, no drama, no impact. Naturally there are exceptions, like amazing models, interesting perspective or angle, great hair or makeup, or amazing fashion design that model is wearing. This is why I love dramatic and moody lighting, shadows, mystery and all that. Shadows provide another set of clothes for a model, or just a cloak if she is nude. It is quite complicated to work with speed lights in low key, as if the model moves only by one or two centimeters it can throw off the entire composition, especially if hard light is considered. Low key photography is also great for learning controlling the light in a very precise way. Once you master low key photography, you can shoot anything. Girls living in Tokyo area or models building their folio who are interested in a photoshoot like this, please message me directly and we can schedule a shoot. You do not have to be a pro.
I love all types of portrait photography, and I too think that natural light is simply amazing and hard to beat, however, flash photography offers so much more control that is is difficult to pass on. If you are a natural light photographer only you are limiting yourself very substantially to the ambient light, i.e. available light. Once the night comes, and the wonderful city lights pop out, you are packing and going home. Now flash photography allows me to shoot all day, 24/7 regardless the light. In fact, I can create night during a sunny day, remove ugly distraction from he background, and control the power, ration and colors of the light. I can set up white balance to one setting, slap on a gel or two on my speed lights and create mood that otherwise would be impossible to capture. Here is a portrait of Nicole, a model and a singer from Scotland taken outside on the evening street of Shibuya in central Tokyo. If you are visiting Tokyo and wish to have spectacular photographs taken, that will make you feel great not only about yourself but also create unforgettable memoirs from your travels, then contact me and book a shoot!
For some time now I was meaning to take a new profile photo, that would be lighter in form, more clear, but at the same time a photo that would stay in the artsy mood and would reflect my personality and character. My current one was a bit too gloomy and dark, and even I was getting scared looking at it at 12am in the evening. I looked a bit like a Frankenstein suffering from s social phobia. Portraits and headshots are really important in the modern age of the Internet, where most of the people will see your photo before meeting you, so it is always good to leave a half decent impression with your profile shot. Browsing the net or social sites, or even professional sites like LinkedIn, one can easily see that there are tons of people out there who really need a new headshot. So I asked my wife to take me a new one and she did a really fantastic job. Now I have to update all 560 million of my websites.... now you know why I was putting it off :-)
The less clothes your model wears the more difficult is to shoot a human form to make it look appealing and graceful. The most forgiving photoshoots are when the stylist goes bananas and the dress or whatever garment is overpowering the model, and she falls onto the second plan. Boudoir and nude photography are difficult for many reasons, and it goes both to capturing the image and editing it. Balancing of the body parts and their positioning with light and shadows, creating a light and ethereal but at the same time alluring scene, making sure that the background elements and the over composition of the image do not clash with the model and her pose, making sure that the skin tonality is even, capturing a natural body language of a model that will not hint to any discomfort of her being photographed nude, making sure that the model looks really sexy but not vulgar, and the list just goes on. Nude photography has many thin lines, and one has to be careful not to cross them.
I am currently looking for girls in Tokyo area for boudoir / nude / Chinese and Japanese calligraphy body art and cyber girl project photoshoot, please contact me if interested. You can see my full folio on my smugmug page.
I love black and white photography in portraiture. There are no distractions, only 256 tones, and it looks clean, simple and has a great visual impact. It all depends on the type of portraiture, but most portraits look best in black and white. Below is a short video showing my Youtube channel though, and I will be creating more full length in depth tutorials, so make sure you check it out! I took this photo some time ago. I am currently revisiting my older work and re-edit some of the photos. I love photo retouching, I love giving my work new fresh look, and every photographer should review their portfolio once in a while. I do it almost every 6 month to a year, as my skills in editing and vision and style evolve. It is good to keep your photography portfolio up to date and consistent, so the clients know what to expect and they are not getting confused by contradicting styles.
Sci fi, future, computers, spaceships, warp gates, oh I love it all. Portrait photography can be creative and fun, but photo editing has no limits at all. The only limit is the skills and imagination of the artist. I LOVE changing my models into hot cyborgs, ordinary scenes into sci fi landscapes, and currently I am studying 3D art and software so very soon my art will take another leap forward into the future. Every photographer can take a portrait, better or worse, but for me it is only step one. If you are interested I am always on a look out for new models, and by models I do not necessarily mean professionals. If you want to have a photo like this one, contact me and perhaps we can schedule a shoot! Below is a video of me working on this photo, it is a sped up version of few hours of editing. Enjoy!
Sci fi cyborg photoshop manipulation workflow speed art video:
Every large city is full of characters and fun events. Tokyo is just crazy, you can find literally everything here. Cosplay events are extremely popular, and are a phenomenal feast for portrait or event photographers. They are loaded with exhibitionists who love to perform, and have their photos taken. Here things are very organized, and one has to stand in line to wait for his or her turn to photograph a model. The business cards are exchanged, the bows are being performed and photographer after photographer is taking exactly the same photos, because the cosplay artists have only set poses and they stick to them. Now what is curious, taking photographs before your turn comes up is seen as impolite, which is rather disappointing because the best photos that I took during this event, were taken when I was not supposed to take them. The best portrait photos are usually taken when the model does not expect it. They feel natural and interesting, especially when captured from a third person view, like this one, which turns the photo from a simple headshot, into a much more complex story.
Portrait photography requires special attention and care in terms of photo retouching. Editing a portrait photo, especially a close up head shot, is a time consuming and tedious process, that could take as long as 3 hours. It can be very creative, especially in the area of coloring and refining the style of the final image. Many photographers out there use Lightroom or Photoshop presets (mainly Lightroom as it is a photographer oriented software, and it is much easier to use than Photoshop due to its user friendly interface and intuitive sliders). Others outsource their editing work, which is usually a result of them not being able to do it themselves, or simply not having the time, or simply they do not like editing. I believe than photo editing is an integral process of photography art as a whole. I cannot imagine allowing others to imbue my artwork with their style. Portrait photography is extremely intimate, and it requires a lot of trust, a good connection and it is tied to specific emotions and place in time. Those cannot be comprehended ir emulated by a third person, i.e. a third party photo editor. I take photographs with a vision of image editing. I can visualize the final photo when \I am pressing the shutter. How can I explain my artistic vision to a third person who edits photos for tens of photographers. I love editing my photography, it is a great fun and inseparable part of my photography service. Below is a sped up video (3000x of a normal speed) of a high end portrait retouching process, which in reality took 2h and 30 min to finish. Photography is a visual art, and editing my own work is as important as any stage of image creation. If you are interested in learning how to edit your own photos, have a look at my photoshop workshops, be it one to one or online lessons, and also my YouTube channel where I have published many of my photo retouching and photo manipulation tutorials. You will also find a lot of learning materials and interesting articles on my main page blog at www.ryuurui.com