Importance of matching colors and tones with the mood of a photo

Human skin is very complex in terms of tonal shifts and colors. Depending on the light used during the shoot, you can achieve different results. Light decides everything: mood, composition,  colors, tonal shifts, and so on. Then, during photo retouching, you will need to deal with things like color casts, skin blotchiness, imperfections of skin texture, shadow and highlight bending and uneven transitions between them, discoloration in highlights and excessive saturation in shadows, difference of skin color temperature or even hue depending on the size of the light source used, etc.

model: Nami

model: Nami

Photo retouching is an extremely powerful tool which allows me to complete my artistic vision. I do not care about how things should look like, all I care about is what feel and mood I want to convey. Photo retouching should not be a result of happy accident or what you think others will find appropriate, but a creative tool for finalizing YOUR idea. The same as with photography rules, you master those to break them. Composing a photo is like falling in love, you feel it, you do not think about it or analyze it. There are no limits to art, as long as it does not feel forced or fake. Photography and photo editing should be naturally inspired by what you see and what it makes you feel like. This is also why taking time to choose photo for retouching is of no less importance than the editing process. Not rushing through the retouch or using photoshop presets mindlessly will only benefit you at the end.

If the toning does not match the mood of the photo it will be a visual cacophony. You are composing a symphony, and all the instruments have to be in tune with one another. But understanding all this is not enough. You need a good connection with your model or client, a connection strong enough for you to either capture an emotion that is real and not staged, a moment in between if you will, or be able to evoke it. Only then you will fully understand the mood of your own photo. At that stage a direction in which you should take your retouching will become clear.

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Understanding the connection between image elements and photo retouching

Portrait photography is a very powerful story telling platform. It expresses not only the style, vision and ideas of the photographer, but if done skilfully it captures the true personality of the model, her or his feelings, and mood. It leaves the door to a personal and private space slightly ajar. Those moments last for split of a second and when combined with complementing lighting and balanced natural body language can be further empowered by post processing of an image. Image editing was always present, even in the film days, but in times of digital photography retouching skills are a very powerful artistic tool. It literally allow us to draw on the image. Used sensibly and with understanding can lead to superb results. Every time I edit a photo it is a new adventure into the world of shadows and highlights, colors and shapes, and just like in a puzzle all the elements have to fit to complete the image. Having an idea of post processing has to be in tune with the elements and the mood of the photo. That is why, I never use tools such as coloring presets, or photoshop actions that do the job for me. Just like a camera set to auto, most of automation in editing is a recipe for disaster. I want a full creative control. It takes time, sure, but all the good things do. It is worth every minute spent in the digital dark room. Photography is a symphony of light, which can be either brilliant or poorly composed. It can be inspiring or painful to look at. If the image is inspiring, it will lead you the right way throughout the post processing, as long as you know the which tools you should use to achieve a desired effect, and how to look at the photo to understand its energy. There is a huge difference between editing the way you can, and editing the way you envisioned the final result in your mind when you pressed the shutter. It is a difference between a craftsman and an artist, a difference between a person who captures what they see, and a person who captures what others cannot. Model: Nami

model: Nami

Ancient art + portraiture = photography on a different level

Everyone can take a snapshot, a few can take a photograph, even fewer can make it fine art image. But for me capturing a photo is merely half way, if not less. Photo editing this days is either abused by those who search for shortcuts, photographers who want to mass produce their images by one-clicking a preset in Lightroom that will edit 100s of photos in minutes, or underestimated by the viewers. We live in era of Instagram garbage, small screens on which you can barely see anything, and so many photos online that no wonder people have troubles with recognizing what is the difference between quality work and something rather dull just colorful. Editing for me is an art form, and one has to be an artist to be able to edit images with a vision, sense of beauty and consistency of ever-evolving style. Being a multi-genre artist, I enjoy merging various forms of visual arts together, be it digital art and photography, creating photo manipulations, or by merging Japanese or Chinese calligraphy art of my authorship with my photography. Calligraphy can be intimidating due to its highly abstract nature, but when accompanied by an image, it much more approachable and perhaps can be appreciated from a different angle.

Calligraphy art in semi-cursive script: 雲中白鶴 (lit. white crane in clouds / meaning; someone of pure heart and transcendent character)

model: Lena

model: Lena