I look at boudoir and nude photography as I look at my Japanese calligraphy art. It is all about undisturbed energy flow, grace of lines and curves, and the balance between the mood and the form. It is a dialogue between the model and the space around her. I really enjoy capturing people at those unique moments when they zone out for a split second, moments when their mind is somewhere else. Then all I do is photograph the lines and shapes their body forms dressed in highlights and shadows in connection with their thought flow, linking what you can see and what you can only imagine. If you follow me on my blogs you know well that photo retouching plays a huge role in my photography art, and I absolutely love taking my time to retouch every single photo. I find the photo editing process extremely creative and exciting. I hear photographers saying so many times *I would rather be out there shooting than in front of my Pc editing*. I could not disagree with this more! Taking a photo is only a small step in a vast creative process of visualising and realising the final image. I believe that when a photographer starts using automated presets to edit 10s or 100s of photos with a few clicks of a mouse, he or she turns something that could be very unique into a very common and rather dull image. We are very jaded and consumed so much as a human race, that most of us cannot distinguish anymore between art and and a visual insult on our sensitivity. People are confused rushing through life, being too busy to take their time to think what they really like deep inside, and instead they follow the general trend appreciated by the masses. Do not be a sheep and feel it yourself. Art should not be about speed and efficiency, but the the emotion it evokes when you look at it. I do not want to have to rush through the photoshoot, which is why I set my fees to per final edited photo count and not per hour. The final result is so important for me, that I am and will refuse anyone who is approaching me for mere snapshots, or asking me to shoot for 3h and pass 50 or 70 photos to them. As an artist I actually find such requests somewhere between sad and insulting. Portrait photography is all about psychology, sparking a moment, telling a captivating story, capturing an image that will make you wonder or pause for a while, but it also has to allow one achieve artistic fulfillment. This simply cannot be rushed. It takes time to get to know who you shoot, combat their camera fear, lack of confidence, and other issues that a model or client may have. I care more about my images than those who pay for them, in fact I care so much I can take even an hour only to browse through a few shots and think which image from a series of images of a certain look I want to edit. Photo editing is a long process if done properly. A single portrait can take anywhere between 1.5 to 4 or more hours. Extremely creative portrait photography manipulations can take a whole day. There are many ways in which an image can be retouched, from a more traditional way like the one you can see below, to a fantasy theme. When you pick a photographer do not base your decision on the price, but the style and quality of his or her portfolio, the skills and passion that drives them, creativity and attention to details, and last but not least their personality. You should not only enjoy the final photos, but also the experience of being photographed.
I am not too fond of typical studio shots, with almost flat lighting on the model and plain white background. Those kind of shots are mostly used for ads in magazines, in which the model is removed from the background and the image can be manipulated in every way possible. The problem is that those kind from shots are on the boring side. The light is dull, they all look the same, there is no power, no drama, no impact. Naturally there are exceptions, like amazing models, interesting perspective or angle, great hair or makeup, or amazing fashion design that model is wearing. This is why I love dramatic and moody lighting, shadows, mystery and all that. Shadows provide another set of clothes for a model, or just a cloak if she is nude. It is quite complicated to work with speed lights in low key, as if the model moves only by one or two centimeters it can throw off the entire composition, especially if hard light is considered. Low key photography is also great for learning controlling the light in a very precise way. Once you master low key photography, you can shoot anything. Girls living in Tokyo area or models building their folio who are interested in a photoshoot like this, please message me directly and we can schedule a shoot. You do not have to be a pro.
The less clothes your model wears the more difficult is to shoot a human form to make it look appealing and graceful. The most forgiving photoshoots are when the stylist goes bananas and the dress or whatever garment is overpowering the model, and she falls onto the second plan. Boudoir and nude photography are difficult for many reasons, and it goes both to capturing the image and editing it. Balancing of the body parts and their positioning with light and shadows, creating a light and ethereal but at the same time alluring scene, making sure that the background elements and the over composition of the image do not clash with the model and her pose, making sure that the skin tonality is even, capturing a natural body language of a model that will not hint to any discomfort of her being photographed nude, making sure that the model looks really sexy but not vulgar, and the list just goes on. Nude photography has many thin lines, and one has to be careful not to cross them.
I am currently looking for girls in Tokyo area for boudoir / nude / Chinese and Japanese calligraphy body art and cyber girl project photoshoot, please contact me if interested. You can see my full folio on my smugmug page.