Portrait photography service in Tokyo unlike any other - images out of this world

Portrait photography, as anything in this world, undergoes constant evolution. The times change, the reality changes and so do we. Initially portraits photos were very stiff, everyone was posed in similar fashion, lighting was very predictable, and the photo retouching possibilities was quite limited. It was as if people were afraid to come out with their ideas.

model: Eccaia

model: Eccaia

Ever since photography went digital, a whole new set of options become available, including complex photo manipulations and composite photography. Combine this with modern 3D model rendering and digital painting, and the options become literally unlimited. I am in love with what modern technology offers to us artists, and I am embracing it completely. If you follow my blogs or social media you know how much I stress the importance of photo editing. It is yet another tool for delivering and executing my artistic vision.

100% crop - head details

100% crop - head details

I treat every photo shoot very personally. I try to bond emotionally and understand anyone who appears in front of my lens. I seek the connection between the scene, personality, mood, light,colors, etc. It is all relevant, but only when seen as one, just like puzzle elements. Photoshop allows me for building on top of what I have captured, and I can tell you that I am one of those very few photographers who will never say "I prefer to be out shooting than sitting at my computer inside photoshop". They have no idea how insanely helpful photo retouching can be in improving the quality of one's photography. I cannot stress enough the importance of details in any type o photography. In portraiture, a simple gesture or misplaced shadow can ruin the entire photo. If you shoot without stopping to think about it, you will never catch those nuances.

100% crop - body details

100% crop - body details

Now, photo manipulation goes far beyond any conventional portrait photography. Not to mention it is so much fun I can completely disappear for a week while working on a single image. The shot you see above took me nearly 40h inside photoshop. Attention to details and is essential. All of my images are impeccable on pixel level, and I often work zoomed in more than 200% into the image to make sure I get things not just right, but perfect. You can watch this video to see how I created this artwork (below), or any other of my photoshop manipulation and digital art and high-end portrait retouching speed art videos on my YouTube channel.

I love fantasy and science fiction themes, and you can view some of the examples of my photoshop manipulation on my portfolio. All concepts are original and I do not model myself on any images found on the net or art books. I become inspired by situations, thoughts, shared ideas, or even computer games, but I never copy anything. Just like my Chinese characters tattoo designs my photoshop manipulations stay fresh and unique. In the near future I have plans on including calligraphy in my cyber manipulations.

If you are interested in having your photo manipulated please contact me directly. For photoshop manipulations that include a photoshoot, please bear in mind that I am a photographer in Tokyo area, but will consider shoots outside Japan. Prices of my photoshop manipulation and composite photography service vary, depending on the complexity of the image and type of work (commercial or private use). Please mail me directly to inquire for details.

 

Complete portfolio in full resolution: http://ponte-ryuurui-photography.smugmug.com/Portfolio

Photography workshops in Tokyo: http://www.ryuurui.com/photography-workshops.html
Hire a photographer in Tokyo: http://www.ryuurui.com/hire-a-photographer-in-tokyo.html
Photo blog: http://www.japan-in-photography.com/
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For more tutorials and how to videos check out my photoshop and photography tips and tricks YouTube channel: https://www.youtube.com/channel/UCEOVGZ2rpLhR7gSPvaexxxQ

Importance of matching colors and tones with the mood of a photo

Human skin is very complex in terms of tonal shifts and colors. Depending on the light used during the shoot, you can achieve different results. Light decides everything: mood, composition,  colors, tonal shifts, and so on. Then, during photo retouching, you will need to deal with things like color casts, skin blotchiness, imperfections of skin texture, shadow and highlight bending and uneven transitions between them, discoloration in highlights and excessive saturation in shadows, difference of skin color temperature or even hue depending on the size of the light source used, etc.

model: Nami

model: Nami

Photo retouching is an extremely powerful tool which allows me to complete my artistic vision. I do not care about how things should look like, all I care about is what feel and mood I want to convey. Photo retouching should not be a result of happy accident or what you think others will find appropriate, but a creative tool for finalizing YOUR idea. The same as with photography rules, you master those to break them. Composing a photo is like falling in love, you feel it, you do not think about it or analyze it. There are no limits to art, as long as it does not feel forced or fake. Photography and photo editing should be naturally inspired by what you see and what it makes you feel like. This is also why taking time to choose photo for retouching is of no less importance than the editing process. Not rushing through the retouch or using photoshop presets mindlessly will only benefit you at the end.

If the toning does not match the mood of the photo it will be a visual cacophony. You are composing a symphony, and all the instruments have to be in tune with one another. But understanding all this is not enough. You need a good connection with your model or client, a connection strong enough for you to either capture an emotion that is real and not staged, a moment in between if you will, or be able to evoke it. Only then you will fully understand the mood of your own photo. At that stage a direction in which you should take your retouching will become clear.

Private photoshop workshops via skype - http://www.ryuurui.com/photo-retouching-lessons.html

Photography workshops in Tokyo: http://www.ryuurui.com/photography-workshops.html

Hire a photographer in Tokyo: http://www.ryuurui.com/hire-a-photographer-in-tokyo.html

Photo blog: http://www.japan-in-photography.com/

Facebook: https://www.facebook.com/ponte.ryuurui.photography/

Twitter: https://twitter.com/PonteRyuurui

Google+: https://plus.google.com/u/0/+PonteRyuurui/posts

For more tutorials and how to videos check out my photoshop and photography tips and tricks YouTube channel: https://www.youtube.com/channel/UCEOVGZ2rpLhR7gSPvaexxxQ

The devil is in the detail - perfectionism and photo editing in photoshop

Whenever I edit my photos my paranoia kicks in before I even start retouching. I can spend an hour deciding between photos to edit. It is all down to finding that one photo with perfect body language, or even merging elements from various photos to achieve that goal. I do not care how I get there, all I care about is great creating images with fluid and undisturbed energy flow. There has to be a balance of elements and this is why post processing plays a huge role in my photography.

If you watch my speed art videos in which I edit my portrait photos, you will notice that very often I work in great zoom, 100% - 400%. It is essential for skin editing and making sure that skin pores are not damaged, also it helps a great deal during skin mattifying (micro dodging and burning), which is done almost exclusively on skin pore level. All my portfolio photos are in full resolution at 300dpi, so everything is out in the open. There is a lot you can get away with in resized photos, especially if they are full or half length portraits.

model: Yayoi Kawahara

model: Yayoi Kawahara

If you are serious about portrait editing you will appreciate its complexity. Whether it is removing distracting elements that ruin the composition, skin editing, global tonal adjustments, color cast and blemish removal, matching skin tones, blending shadow to highlight transitions, adding new complementing elements to the photo via compositing and photoshop manipulation (like drawing hair by hand for instance), contrast and micro contrast adjustments, sharpening, texture repairing, etc., you have to remember that the devil lurks in details so once you take care of all those things that are not visible immediately, all the elements of the photo will start falling in place. And that is why single portrait photo retouching can take between 1.5 to 4h. There are no shortcuts or plugins that can get you there faster and allow for the same level of quality. There is a reason why some of the best things in the world are hand made. Automation is great, but far from perfect.

If nothing else, remember this - portrait photography brings responsibility. As a professional you are responsible for how your model looks on your photos. It is your job to make sure you have done everything that justifies their time or money spent helping you to create images. A great photo can be ruined by poor editing, so if you respect your models you will make sure you have done your absolute best not just during the photoshoot, but also in post processing.

Private photoshop workshops via skype - http://www.ryuurui.com/photo-retouching-lessons.html

Photography workshops in Tokyo: http://www.ryuurui.com/photography-workshops.html

Hire a photographer in Tokyo: http://www.ryuurui.com/hire-a-photographer-in-tokyo.html

Photo blog: http://www.japan-in-photography.com/

Facebook: https://www.facebook.com/ponte.ryuurui.photography/

Twitter: https://twitter.com/PonteRyuurui

Google+: https://plus.google.com/u/0/+PonteRyuurui/posts

For more tutorials and how to videos check out my photoshop and photography tips and tricks YouTube channel: https://www.youtube.com/channel/UCEOVGZ2rpLhR7gSPvaexxxQ

Finding a composition for a portrait photo in the chaos of shapes around you

For me portrait photography is about balance between body language of the model, quality of light and harmony of background elements. All pieces of the puzzle have to live in symbiosis. When I am out shooting I look for spots where one element is missing, and that element is my model. Just like in street photography, where one finds a place and then waits for that special moment to happen. That moment is the missing element of the composition or a story that I am trying to convey. Finding that balance and harmony is the most difficult thing to teach, because it will depend on how artistic or sensitive a person is. The same goes to everything in photography really, it is all about finding e perfect balance. Even more difficult is to understand, or be able to feel rather, how to introduce imperfections into the composition to create a perfect harmony. It really is a matter of sensing and weighting all segments of a photograph together. A great exercise to do is to pick one location, and without moving much try to find as many photographs as you can. Then , go back home, open them on your PC and think which elements fit and which do not. What mistakes you made, which elements you have not noticed when you pressed the shutter. Model: Nami

model: Nami

model: Nami

Private photoshop workshops via skype - http://www.ryuurui.com/photo-retouching-lessons.html

Photography workshops in Tokyo: http://www.ryuurui.com/photography-workshops.html

Hire a photographer in Tokyo: http://www.ryuurui.com/hire-a-photographer-in-tokyo.html

Photo blog: http://www.japan-in-photography.com/

Facebook: https://www.facebook.com/ponte.ryuurui.photography/

Twitter: https://twitter.com/PonteRyuurui

Google+: https://plus.google.com/u/0/+PonteRyuurui/posts

For more tutorials and how to videos check out my photoshop and photography tips and tricks YouTube channel: https://www.youtube.com/channel/UCEOVGZ2rpLhR7gSPvaexxxQ

How to crop your images to make them look balanced and appealing

Image after completing compositing and editing

Image after completing compositing and editing

Cropping images is an art and it is the final touch to your photo just like the seal of a Japanese calligrapher pressed at the very end on the work. There is a saying that goes "印鑑までの作品", which means "a (perfect) work (is one that goes) all the way to the (author's) seal". The same in photography, cropping is a very powerful tool in your photo editing arsenal. Most of my portraits are cropped in camera during shooting, but sometimes I create composites or change the background, like in this photo of Katie. She was cut out and placed on a new background, and since she wanted a circle shaped final shot I had to place her in the dead center of the frame (see the photo to the right). Now I would never shoot a portrait this way, unless it was for a poster with some promotional materials or texts waiting to be added, then I would make space for it. So, I had to go in and crop the image to make her really shine. Below you can see 5 different crops that I created and all of them have a slightly different feel. Crop 1 would be sliced in the headshot style for corporate use or for a bio on a website. Do not be afraid to cut tops of the heads, but when you do that make sure it is balanced with the space below the chin and around the face. Also pay attention to the background texture, it is important that it does not overpower the face, which is the main focus (scroll down to read more).

Crop 1

Crop 1

Crop 2 is a perfect square, which is a common format used by social media pages. Two things you need to remember when cropping images for such sites. 1. the are in square shape, and 2. they are usually tiny, so make sure that the face is filling the frame as much as possible. I placed her a bit to the left hand side of the frame, to create asymmetry which is perfectly empowered by the intersecting diagonal lines (created by both shoulders and the eyes). This creates an illusion of a triangle shape, and goes well with slanting lines of the background. Dynamic crop introduces movement and since she looks dynamic and jolly it fits perfectly.

Crop 2

Crop 2

Crop 3 is what Katie wanted for her page. Here I placed her eyes along the center line and cut off part of her right shoulder. The leading lines of the jacket going up and then curving with her face outline to the right forces eyes to circulate, which supports the shape of the crop. Note that Crop 1,2 and 3 have a corporate feel with emphasis on Katie but there is enough space for the background building to be registered by a viewer as an important element of the photo, even though it is out of focus. Background can be a powerful ally. 

Crop 3

Crop 3

Crop 4 is more centered and looks it gives Katie more powerful image. Her being in the center suggests control, but at the same time her cheerful smile makes her approachable. This is a cross-over between a corporate shot and a more casual profile photo for a webpage. This could also be cropped lower, which would cut the top of her head and showed a bit more of the neck. I cropped it this way to move her eyes to the center.

Crop 4

Crop 4

Crop 5 has a corporate feel again, but it is in a vertical orientation. I sliced the right shoulder and emphasized the other one which is in perfect alignment with the building. The part of the building to the left frames her from the other side and it creates a narrowing effect which pushes the viewer's eyes to her face. Those buildings also create a natural vignette which introduces contrast and redirects the attention to Katie. She is a bit off center to the left, which balances the way she stands, the direction she is facing to and mirrors the direction the light is coming from.

Crop 5

Crop 5

If you are looking for a portrait photographer in Tokyo and you enjoy my style of photography then please contact me directly to discuss details or book a photoshoot. If you are interested in private photoshop workshops via skype desktop sharing feature, please see more details on my main page.

Ancient art + portraiture = photography on a different level

Everyone can take a snapshot, a few can take a photograph, even fewer can make it fine art image. But for me capturing a photo is merely half way, if not less. Photo editing this days is either abused by those who search for shortcuts, photographers who want to mass produce their images by one-clicking a preset in Lightroom that will edit 100s of photos in minutes, or underestimated by the viewers. We live in era of Instagram garbage, small screens on which you can barely see anything, and so many photos online that no wonder people have troubles with recognizing what is the difference between quality work and something rather dull just colorful. Editing for me is an art form, and one has to be an artist to be able to edit images with a vision, sense of beauty and consistency of ever-evolving style. Being a multi-genre artist, I enjoy merging various forms of visual arts together, be it digital art and photography, creating photo manipulations, or by merging Japanese or Chinese calligraphy art of my authorship with my photography. Calligraphy can be intimidating due to its highly abstract nature, but when accompanied by an image, it much more approachable and perhaps can be appreciated from a different angle.

Calligraphy art in semi-cursive script: 雲中白鶴 (lit. white crane in clouds / meaning; someone of pure heart and transcendent character)

model: Lena

model: Lena