How to compose with light in order to create stunning portrait photos

Difference between a good portrait photo or headshot and an amazing one is almost entirely down to the quality of light. Yes the background is essential, and so is the body language, but if light is poorly directed and its quality (hard, soft, diffused, focused, etc.) is not complimentary to the rest of the image then all will fall apart. To create an outstanding image you not only have to know how to operate with light, but also why and when to use specific techniques that will result in a natural and undisturbed energy flow through the whole image. In other words, when you look at it it has to feel natural, and you should not see any element that stands out to the extent that it dominates the photo in a negative way.

model: Nata

model: Nata

When I work with a new model and I have no idea how to light her face yet, I experiment and search, the I discover and conclude. Everyone has a different face features, and they come with various types of personality. This will require different lighting each time for each person. If you mount your light on spot A and place yourself in spot B every time you shoot, only because it is your safe spot and you know you captured decent images last time and 100 times before it, you will learn nothing and remain medicore at best. Think of your photography as a boat and your model as the wind. Set her lose and don't force posing, and let her steer you in a general direction of what she feels is natural in terms of positioning and body language. Then become a sail and adjust your course. Sailing against the wind is possible but why on earth would you do that.

model: June

model: June

Light should not only direct the eye around the photo but it should be an integral part of the entire composition. If you think about it, there would not be a photo without light. On the other hand even the most amazing model placed in a bad light will look terrible. So you have to be sensitive to body language, yes, but poses and angles that you capture those poses from have to be in symbiosis with the light and its quality. Do not copy and photograph what you can, capture what you feel you should in a given moment. Do not photograph what your eyes see, but follow your heart instead. If you appreciate the subtle differences of light angles, intensity, direction, and so on, your portraits will look much more rich, defined, and peaceful at the same time, regardless of how dynamic the message or subject of the photo is.

model: Saari

model: Saari

Editing is essential for your progress, and I cannot stress this enough. Forget Lightroom and leave it for lazy people. Diving into Photoshop will not only allow you to refine what you have captured in much better and more professional ways than Lightroom ever could but also will do something outstanding- it will slow you down and let you gaze at the image for longer time. You will improve your sense of composition, lighting, understanding body language and help you to narrow down and target your own shortcoming as an artist. Just like a tripod is great for studying architecture photography, Photoshop is amazing for improving your portraiture. Do not mass produce your images but create them. Not only that, if you start working with frequency separation techniques, which are the only way to professionally edit a portrait image or a headshot, you will discover how you can fix issues with shadows and even reshape face features. This is a superb way of learning the light and how it works.

Contact me directly for one-to-one online photoshop tutorials via desktop sharing.
Portrait photography service, Tokyo - website
http://www.portrait-photography-tokyo.com/
Photography workshops in Tokyo: http://www.ryuurui.com/photography-workshops.html
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For more tutorials and how to videos check out my photoshop and photography tips and tricks YouTube channel: https://www.youtube.com/channel/UCEOVGZ2rpLhR7gSPvaexxxQ

Fall in love with light, and people will fall in love with your portraits

Light is everything in photography. There is no images without any light, just black abyss. It sets the mood, it defines the scene and story, it shapes your thoughts, it directs you eyes, it moves your soul, it determines the energy flow throughout the image, it defines and complements the body language. Everything revolves around light and its quality in a photo. I am often asked by my photography students, what settings did you use for this image, or worse - what camera settings and aperture do you use in your portraits. And I hate hearing those questions not because the answer to it is I do not know but I do not want to know. I simply do not care. Neither should you. I honestly do not remember my camera settings because they are so deliciously unimportant. Instead, I remember the atmosphere, the shadows and how light fell on the model, or what shapes I saw, moments and flashes of images that my mind captured first and then they were recorded with a camera. Camera is a just tool, light is a journey. if you are lost in the scenery, you will not remember that you even hold a walking stick, let alone being aware of how you should be using it.

model: Anna Mitzel

model: Anna Mitzel

Learning your camera essentials is important, naturally, but to be honest, once the camera is set and all the annoying deep menu options and whistles are sorted out, all you will fiddle with is three values, shutter speed, aperture and ISO. So instead of thinking what camera settings you should be using, think of how the scene that you see feels. Is the light falling on your model in away that everything looks balanced and seems harmonious? If not, then change the lights, move yourself, change the angle. Learn how camera sees the world through the specific focal length and aperture and use it creatively. Learn to capture what you want by experimenting wit the camera settings and lenses, not the other way round.

model: Viktoria

model: Viktoria

Do not let the camera hold you back or define the limits of your artistic sense. It may take time, but it is worth it. I had a client recently who asked me if I have experience shooting Asians. It was so clear to me she had no clue on what it is all about. I replied: I shoot personalities not races, I shoot moments not expectations. Every time I shoot, I always bear two things in mind - light quality and environment. Model is my last worry, though it is very important to have all 3 elements in sync, other wise your images may not make much sense. It is the emphasis that you put on the subject of your photo by means of light what matters, and it is irrelevant whether it is a face, a gesture, a vista, or just few random stones on a beach. Fall in love with light and how it is being cast, and the rest will fall into place.

model: Erika Ito

model: Erika Ito

Contact me directly for one-to-one online photoshop tutorials via desktop sharing.
Portrait photography service, Tokyo - website
http://www.portrait-photography-tokyo.com/
Photography workshops in Tokyo: http://www.ryuurui.com/photography-workshops.html
Hire a photographer in Tokyo: http://www.ryuurui.com/hire-a-photographer-in-tokyo.html
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For more tutorials and how to videos check out my photoshop and photography tips and tricks YouTube channel: https://www.youtube.com/channel/UCEOVGZ2rpLhR7gSPvaexxxQ

Portrait photography is about capturing souls with your lens, not faces

Portrait photographs are are real life situations. some will make you smile and are pleasant to look at, while others will make you think, recollect or even dream. Capturing faces can be fun, but capturing souls is simply an enticing experience. Those are split seconds when your model is warped, zoned out, somewhere else in her past or future, traveling through memories or past experiences, her desires or wishes. Those are the moments when the time pauses for a second yet the captured expression itself is timeless. When the photo you have captured truly moves the model emotionally when she looks at it, then you know you have dug deep enough to touch her thoughts. And this is what I call a great portrait.

model: Iselita

model: Iselita

Photographing people without their social masks, real people, takes time and patience, it also requires mutual understanding, connection and good communication. You have to reach way past their private zones, to where whatever you say or do will have a direct impact on their mood. The emotional distance between people is what kills images, and as a portrait photographer you should learn how to minimize that distance to zero without having your model retracting to her shell of safety. Trust is essential here, feeling of comfort, and most importantly peace and quiet. This is mainly why I detest shooting portraits in areas crawling with people. It depends on the assignment or idea behind the shoot, and also on how many times I worked with a given model, but generally I avoid crowded spaces. Studio would sound like a good solution but studios have this clinical "I am about to get shot" feel. Outdoor sets, on the other hand,  have so many distractions where elements of city or nature that bring memories. Women react to sounds, smells, and those could easily project images, even more so for those with developed artistic side.

model: Nami

model: Nami

Another way to capture moody and intriguing images is by evoking emotions. Do not talk to your model, instead talk with your model. Even better, forget she is a model and think of her as a girl or a woman. Engage her mind, intrigue her, make her laugh or revive some memories by simply having a chat about anything that you both find interesting. It is all about disabling the defense mechanisms and removing shields of "gee I hope my lipstick isn't crooked". Make her forget not only that you are photographing her, make her forget you are even there. If you manage this for a brief time, then you got yourself superb images. Learn their face, how light falls on it and how shadows are created, use that to your advantage. Face expressions can be amazing but when complimented by appropriate colors and light they can be mesmerizing. If you think of human face expression as an art, then think of each photograph as a single frame from a story. It has to be self contained, but also open enough for a viewer to be able to adopt it to their own life story,. It always makes me laugh when people interpret poetry or paintings. What a bunch of fools. It's art, you are supposed to absorb it not analyze it. If a portrait photograph makes people dissipate emotionally, then you are not a photographer anymore, you are an artist.

model: Iselita

model: Iselita

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For more tutorials and how to videos check out my photoshop and photography tips and tricks YouTube channel: https://www.youtube.com/channel/UCEOVGZ2rpLhR7gSPvaexxxQ

Portrait photography service in Tokyo unlike any other - images out of this world

Portrait photography, as anything in this world, undergoes constant evolution. The times change, the reality changes and so do we. Initially portraits photos were very stiff, everyone was posed in similar fashion, lighting was very predictable, and the photo retouching possibilities was quite limited. It was as if people were afraid to come out with their ideas.

model: Eccaia

model: Eccaia

Ever since photography went digital, a whole new set of options become available, including complex photo manipulations and composite photography. Combine this with modern 3D model rendering and digital painting, and the options become literally unlimited. I am in love with what modern technology offers to us artists, and I am embracing it completely. If you follow my blogs or social media you know how much I stress the importance of photo editing. It is yet another tool for delivering and executing my artistic vision.

100% crop - head details

100% crop - head details

I treat every photo shoot very personally. I try to bond emotionally and understand anyone who appears in front of my lens. I seek the connection between the scene, personality, mood, light,colors, etc. It is all relevant, but only when seen as one, just like puzzle elements. Photoshop allows me for building on top of what I have captured, and I can tell you that I am one of those very few photographers who will never say "I prefer to be out shooting than sitting at my computer inside photoshop". They have no idea how insanely helpful photo retouching can be in improving the quality of one's photography. I cannot stress enough the importance of details in any type o photography. In portraiture, a simple gesture or misplaced shadow can ruin the entire photo. If you shoot without stopping to think about it, you will never catch those nuances.

100% crop - body details

100% crop - body details

Now, photo manipulation goes far beyond any conventional portrait photography. Not to mention it is so much fun I can completely disappear for a week while working on a single image. The shot you see above took me nearly 40h inside photoshop. Attention to details and is essential. All of my images are impeccable on pixel level, and I often work zoomed in more than 200% into the image to make sure I get things not just right, but perfect. You can watch this video to see how I created this artwork (below), or any other of my photoshop manipulation and digital art and high-end portrait retouching speed art videos on my YouTube channel.

I love fantasy and science fiction themes, and you can view some of the examples of my photoshop manipulation on my portfolio. All concepts are original and I do not model myself on any images found on the net or art books. I become inspired by situations, thoughts, shared ideas, or even computer games, but I never copy anything. Just like my Chinese characters tattoo designs my photoshop manipulations stay fresh and unique. In the near future I have plans on including calligraphy in my cyber manipulations.

If you are interested in having your photo manipulated please contact me directly. For photoshop manipulations that include a photoshoot, please bear in mind that I am a photographer in Tokyo area, but will consider shoots outside Japan. Prices of my photoshop manipulation and composite photography service vary, depending on the complexity of the image and type of work (commercial or private use). Please mail me directly to inquire for details.

 

Complete portfolio in full resolution: http://ponte-ryuurui-photography.smugmug.com/Portfolio

Photography workshops in Tokyo: http://www.ryuurui.com/photography-workshops.html
Hire a photographer in Tokyo: http://www.ryuurui.com/hire-a-photographer-in-tokyo.html
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For more tutorials and how to videos check out my photoshop and photography tips and tricks YouTube channel: https://www.youtube.com/channel/UCEOVGZ2rpLhR7gSPvaexxxQ

How to capture sumblime ethereal moments with your portrait phootgraphy

Do you need dreamy meadows and morning sun piercing through the fog to capture very soft and ethereal images with white vignetting around the edges to empasise the softness? Not really. In fact low key dramatic images that remove the background can be even more sublime than anything else. So what is the secret then? The mood and the post processing. And post processing is VERY important. The mood is something that you capture or evoke. It is happening during the shoot. As a photographer you need to build a connection with your models and learn their body language. How they react, behave, their face mimics, emotions and how to spark them, and so on. This is why I usually work alone, one on one with whomever I photograph. For me portrait photography is like ambient music, it is a one giant tunnel you walk into, or a beam of channeled energy that cannot be disconnected. If a model gets distracted, there goes your shoot or at least a theme.

model: Eccaia

model: Eccaia

The post processing is a massively important. Regardless of how soft your lighting may be if you do not know how to deal with harsh shadow transitions and how to accent certain areas like reflections in the eyes, or how to make other parts of the image become less visible and intrusive, you will not be able to achieve this result. It is a combination of mattified skin, smoothed out highlights and shadows, very selective contrasting and balancing the darkest and the brightest tones. Black and white is not always the way to go. Light and mood in your image is like music. Listen to it, and then you will know what genre it belongs to.

Last but not least, the composition must be in symbiosis with the mood and editing. You need to place your model in the frame according to the feel you are going for, or even better so - the feel you are capturing. Sometimes photographers focus so hard on what they envisioned that they are blinded to what is actually happening. Capture images like an artist not like a craftsman. Capture what you feel not what you see. Be like attentive and sensitive to what is going on in front of your lens, and learn how to adjust instinctively. It is good to have a concept for the shoot, but spontaneous moments make the best photos. It should not be your job to know how not to miss them. It should be your second nature and passion.

Complete portfolio in full resolution: http://ponte-ryuurui-photography.smugmug.com/Portfolio

Photography workshops in Tokyo: http://www.ryuurui.com/photography-workshops.html
Hire a photographer in Tokyo: http://www.ryuurui.com/hire-a-photographer-in-tokyo.html
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For more tutorials and how to videos check out my photoshop and photography tips and tricks YouTube channel: https://www.youtube.com/channel/UCEOVGZ2rpLhR7gSPvaexxxQ

 

Create drama and mood in your portraits with cinematic color grading in photoshop

Photo retouching is a complex art and it comes with countless options and possibilities. In fact, the only limitation is your skills and imagination. Color grading is one of the last steps in my editing workflow in photoshop. It is best to leave coloring and toning until the image is fully edited. Any changes to contrast, sharpness, vignetting, etc. will amplify or reduce colors and saturation. Those always effect toning and mood of the photo so again it is best to wait till you are sure that the image is finalized. 

model: Apple Nicole

model: Apple Nicole

Having said that, very often it happens so that I revise my editing either after I finish working on it, or the next day. While retouching a photo I change the zoom very often, so I switch between details and global scale all the time. It is possible to miss certain things when I am redirect a narrow focus to a problem area. It is essential to review your work after you are happy with the final result. If you are a obsessed with details like I am, you will always find something to be fine tuned.

The way you color grade your image will depend on the model, mood, lighting, retouching style, your photoshop knowledge, artistic concept and vision the photo was taken with, and so on. There is no recipe for photo toning and no preset that should be applied. Every single time you will encounter different colors on your images, so the color values that you will apply during toning should match those. Applying presets and photoshop actions is a lazy way out and produces rather poor results. Take your time, look at the building blocks of the image and try to sense what type of toning would fit this particular photo. It is your art and your decision, do not let presets created by others mindlessly decide for you.

Private photoshop workshops via skype - http://www.ryuurui.com/photo-retouching-lessons.html

Photography workshops in Tokyo: http://www.ryuurui.com/photography-workshops.html

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Importance of matching colors and tones with the mood of a photo

Human skin is very complex in terms of tonal shifts and colors. Depending on the light used during the shoot, you can achieve different results. Light decides everything: mood, composition,  colors, tonal shifts, and so on. Then, during photo retouching, you will need to deal with things like color casts, skin blotchiness, imperfections of skin texture, shadow and highlight bending and uneven transitions between them, discoloration in highlights and excessive saturation in shadows, difference of skin color temperature or even hue depending on the size of the light source used, etc.

model: Nami

model: Nami

Photo retouching is an extremely powerful tool which allows me to complete my artistic vision. I do not care about how things should look like, all I care about is what feel and mood I want to convey. Photo retouching should not be a result of happy accident or what you think others will find appropriate, but a creative tool for finalizing YOUR idea. The same as with photography rules, you master those to break them. Composing a photo is like falling in love, you feel it, you do not think about it or analyze it. There are no limits to art, as long as it does not feel forced or fake. Photography and photo editing should be naturally inspired by what you see and what it makes you feel like. This is also why taking time to choose photo for retouching is of no less importance than the editing process. Not rushing through the retouch or using photoshop presets mindlessly will only benefit you at the end.

If the toning does not match the mood of the photo it will be a visual cacophony. You are composing a symphony, and all the instruments have to be in tune with one another. But understanding all this is not enough. You need a good connection with your model or client, a connection strong enough for you to either capture an emotion that is real and not staged, a moment in between if you will, or be able to evoke it. Only then you will fully understand the mood of your own photo. At that stage a direction in which you should take your retouching will become clear.

Private photoshop workshops via skype - http://www.ryuurui.com/photo-retouching-lessons.html

Photography workshops in Tokyo: http://www.ryuurui.com/photography-workshops.html

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For more tutorials and how to videos check out my photoshop and photography tips and tricks YouTube channel: https://www.youtube.com/channel/UCEOVGZ2rpLhR7gSPvaexxxQ

The devil is in the detail - perfectionism and photo editing in photoshop

Whenever I edit my photos my paranoia kicks in before I even start retouching. I can spend an hour deciding between photos to edit. It is all down to finding that one photo with perfect body language, or even merging elements from various photos to achieve that goal. I do not care how I get there, all I care about is great creating images with fluid and undisturbed energy flow. There has to be a balance of elements and this is why post processing plays a huge role in my photography.

If you watch my speed art videos in which I edit my portrait photos, you will notice that very often I work in great zoom, 100% - 400%. It is essential for skin editing and making sure that skin pores are not damaged, also it helps a great deal during skin mattifying (micro dodging and burning), which is done almost exclusively on skin pore level. All my portfolio photos are in full resolution at 300dpi, so everything is out in the open. There is a lot you can get away with in resized photos, especially if they are full or half length portraits.

model: Yayoi Kawahara

model: Yayoi Kawahara

If you are serious about portrait editing you will appreciate its complexity. Whether it is removing distracting elements that ruin the composition, skin editing, global tonal adjustments, color cast and blemish removal, matching skin tones, blending shadow to highlight transitions, adding new complementing elements to the photo via compositing and photoshop manipulation (like drawing hair by hand for instance), contrast and micro contrast adjustments, sharpening, texture repairing, etc., you have to remember that the devil lurks in details so once you take care of all those things that are not visible immediately, all the elements of the photo will start falling in place. And that is why single portrait photo retouching can take between 1.5 to 4h. There are no shortcuts or plugins that can get you there faster and allow for the same level of quality. There is a reason why some of the best things in the world are hand made. Automation is great, but far from perfect.

If nothing else, remember this - portrait photography brings responsibility. As a professional you are responsible for how your model looks on your photos. It is your job to make sure you have done everything that justifies their time or money spent helping you to create images. A great photo can be ruined by poor editing, so if you respect your models you will make sure you have done your absolute best not just during the photoshoot, but also in post processing.

Private photoshop workshops via skype - http://www.ryuurui.com/photo-retouching-lessons.html

Photography workshops in Tokyo: http://www.ryuurui.com/photography-workshops.html

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What is the difference between a pro snapshot and professionally editited portrait photo

In short, about 2 to 3 hours, because this is how long it takes to retouch a portrait photo on a professional level. Photo retouching is not a skill, it is an art, and for me it is a valid and essential part of my photography service. Not everyone can appreciate the importance and impact of photo editing because this is something that is done behind the scenes. It is a process you most likely will not witness personally as a model or a client, but it is always greatly appreciated when compared and explained.

Portrait photo retouching is a complex process of refining tonal shifts, removing color casts, redirecting or emphasizing the main subject or area of interest in the photo, removing distractions, reorganizing and tiding up shadows and highlights, finalizing the artistic vision of the photographer, amplifying the existing feel or creating a completely new mood in the photo, creating a completely new image via composite photography or an artistically enhanced creation though photo manipulation (fantasy, sci-fi, abstract, etc.), and so on.

I am an artist, not just a photographer. I do not capture images I create them, and pressing a shutter on my camera is merely a part of the entire process. Portrait photo retouching is my passion just like photography, Japanese calligraphy, book writing or any other artistic endeavor that I am engaging in. I love photo editing so much that I can easily take an hour only to look through already pre-selected photos from a given photoshoot to choose the one I think is the best in terms of body language and quality of light for editing. Time wise, photo retouching is far more time consuming than a photoshoot itself and can take several times longer than image capturing. I will give you an example. Let us say a photoshoot lasts for 5 hours and 600 images are taken. Now if I pick 10 photos for editing and spend 2.5h on each, that sums up to 25 hours in photoshop alone. That is 5 times longer than the actual photo shoot. A single complex photoshop manipulation can take over 24 hours to complete.

In the era of digital photography photo editing options are limited only by the skill and imagination of the artist, and it is a never-ending journey of discovery and learning. Every photo is different, every person ha sits own personality and mood. I do not use any ready made presets in my workflow and each photo is manually retouched, toned and finalized. Every photo is yet another day of the great journey.

Private photoshop workshops via skype - http://www.ryuurui.com/photo-retouching-lessons.html

Photography workshops in Tokyo: http://www.ryuurui.com/photography-workshops.html

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Finding a composition for a portrait photo in the chaos of shapes around you

For me portrait photography is about balance between body language of the model, quality of light and harmony of background elements. All pieces of the puzzle have to live in symbiosis. When I am out shooting I look for spots where one element is missing, and that element is my model. Just like in street photography, where one finds a place and then waits for that special moment to happen. That moment is the missing element of the composition or a story that I am trying to convey. Finding that balance and harmony is the most difficult thing to teach, because it will depend on how artistic or sensitive a person is. The same goes to everything in photography really, it is all about finding e perfect balance. Even more difficult is to understand, or be able to feel rather, how to introduce imperfections into the composition to create a perfect harmony. It really is a matter of sensing and weighting all segments of a photograph together. A great exercise to do is to pick one location, and without moving much try to find as many photographs as you can. Then , go back home, open them on your PC and think which elements fit and which do not. What mistakes you made, which elements you have not noticed when you pressed the shutter. Model: Nami

model: Nami

model: Nami

Private photoshop workshops via skype - http://www.ryuurui.com/photo-retouching-lessons.html

Photography workshops in Tokyo: http://www.ryuurui.com/photography-workshops.html

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The art of boudoir portrait photography - how to choose the right photographer?

I look at boudoir and nude photography as I look at my Japanese calligraphy art. It is all about undisturbed energy flow, grace of lines and curves, and the balance between the mood and the form. It is a dialogue between the model and the space around her. I really enjoy capturing people at those unique moments when they zone out for a split second, moments when their mind is somewhere else. Then all I do is photograph the lines and shapes their body forms dressed in highlights and shadows in connection with their thought flow, linking what you can see and what you can only imagine. If you follow me on my blogs you know well that photo retouching plays a huge role in my photography art, and I absolutely love taking my time to retouch every single photo. I find the photo editing process extremely creative and exciting. I hear photographers saying so many times *I would rather be out there shooting than in front of my Pc editing*. I could not disagree with this more! Taking a photo is only a small step in a vast creative process of visualising and realising the final image. I believe that when a photographer starts using automated presets to edit 10s or 100s of photos with a few clicks of a mouse, he or she turns something that could be very unique into a very common and rather dull image. We are very jaded and consumed so much as a human race, that most of us cannot distinguish anymore between art and and a visual insult on our sensitivity. People are confused rushing through life, being too busy to take their time to think what they really like deep inside, and instead they follow the general trend appreciated by the masses. Do not be a sheep and feel it yourself. Art should not be about speed and efficiency, but the the emotion it evokes when you look at it. I do not want to have to rush through the photoshoot, which is why I set my fees to per final edited photo count and not per hour. The final result is so important for me, that I am and will refuse anyone who is approaching me for mere snapshots, or asking me to shoot for 3h and pass 50 or 70 photos to them. As an artist I actually find such requests somewhere between sad and insulting. Portrait photography is all about psychology, sparking a moment, telling a captivating story, capturing an image that will make you wonder or pause for a while, but it also has to allow one achieve artistic fulfillment. This simply cannot be rushed. It takes time to get to know who you shoot, combat their camera fear, lack of confidence, and other issues that a model or client may have. I care more about my images than those who pay for them, in fact I care so much I can take even an hour only to browse through a few shots and think which image from a series of images of a certain look I want to edit. Photo editing is a long process if done properly. A single portrait can take anywhere between 1.5 to 4 or more hours. Extremely creative portrait photography manipulations can take a whole day. There are many ways in which an image can be retouched, from a more traditional way like the one you can see below, to a fantasy theme. When you pick a photographer do not base your decision on the price, but the style and quality of his or her portfolio, the skills and passion that drives them, creativity and attention to details, and last but not least their personality. You should not only enjoy the final photos, but also the experience of being photographed. 

Eline

Eline

How to crop your images to make them look balanced and appealing

Image after completing compositing and editing

Image after completing compositing and editing

Cropping images is an art and it is the final touch to your photo just like the seal of a Japanese calligrapher pressed at the very end on the work. There is a saying that goes "印鑑までの作品", which means "a (perfect) work (is one that goes) all the way to the (author's) seal". The same in photography, cropping is a very powerful tool in your photo editing arsenal. Most of my portraits are cropped in camera during shooting, but sometimes I create composites or change the background, like in this photo of Katie. She was cut out and placed on a new background, and since she wanted a circle shaped final shot I had to place her in the dead center of the frame (see the photo to the right). Now I would never shoot a portrait this way, unless it was for a poster with some promotional materials or texts waiting to be added, then I would make space for it. So, I had to go in and crop the image to make her really shine. Below you can see 5 different crops that I created and all of them have a slightly different feel. Crop 1 would be sliced in the headshot style for corporate use or for a bio on a website. Do not be afraid to cut tops of the heads, but when you do that make sure it is balanced with the space below the chin and around the face. Also pay attention to the background texture, it is important that it does not overpower the face, which is the main focus (scroll down to read more).

Crop 1

Crop 1

Crop 2 is a perfect square, which is a common format used by social media pages. Two things you need to remember when cropping images for such sites. 1. the are in square shape, and 2. they are usually tiny, so make sure that the face is filling the frame as much as possible. I placed her a bit to the left hand side of the frame, to create asymmetry which is perfectly empowered by the intersecting diagonal lines (created by both shoulders and the eyes). This creates an illusion of a triangle shape, and goes well with slanting lines of the background. Dynamic crop introduces movement and since she looks dynamic and jolly it fits perfectly.

Crop 2

Crop 2

Crop 3 is what Katie wanted for her page. Here I placed her eyes along the center line and cut off part of her right shoulder. The leading lines of the jacket going up and then curving with her face outline to the right forces eyes to circulate, which supports the shape of the crop. Note that Crop 1,2 and 3 have a corporate feel with emphasis on Katie but there is enough space for the background building to be registered by a viewer as an important element of the photo, even though it is out of focus. Background can be a powerful ally. 

Crop 3

Crop 3

Crop 4 is more centered and looks it gives Katie more powerful image. Her being in the center suggests control, but at the same time her cheerful smile makes her approachable. This is a cross-over between a corporate shot and a more casual profile photo for a webpage. This could also be cropped lower, which would cut the top of her head and showed a bit more of the neck. I cropped it this way to move her eyes to the center.

Crop 4

Crop 4

Crop 5 has a corporate feel again, but it is in a vertical orientation. I sliced the right shoulder and emphasized the other one which is in perfect alignment with the building. The part of the building to the left frames her from the other side and it creates a narrowing effect which pushes the viewer's eyes to her face. Those buildings also create a natural vignette which introduces contrast and redirects the attention to Katie. She is a bit off center to the left, which balances the way she stands, the direction she is facing to and mirrors the direction the light is coming from.

Crop 5

Crop 5

If you are looking for a portrait photographer in Tokyo and you enjoy my style of photography then please contact me directly to discuss details or book a photoshoot. If you are interested in private photoshop workshops via skype desktop sharing feature, please see more details on my main page.

Why photo editing skills are equally or even more important than photography skills?

RAW file from the camera

RAW file from the camera

Photography is an art and one can produce stunning photos straight out of camera. However, a skillful photo editor can elevate such photos to a completely new level. Photo editing is a huge knowledge and requires a lot of patience and time, constant studies from various disciplines, including human anatomy, color management, behavior and qualities of light, etc. To edit portraiture you literally have to be a painter, in order to blend and smooth out blemishes, unflattering skin shadows and skin tone issues. Human skin is complex and it is a theater for the game of shadows and highlights. It is virtually impossible to capture a relaxed and healthy looking image without any editing process. Now there are those who take shortcuts and do lazy editing, which results in blurry skin, loosing pore details and obliterating face features, and such editing is done by photographers who either lack the skill, or those who simply prefer to bulk edit photos and move on to another client to make more money. Those type of photographer also use presets and with one click sort out 10s of photos. This also why their photographs look all the same. Photo retouching is an art, and it is way more time consuming than actual shooting. A single portrait editing can take up from 1.5 to 4h, or more, depending on which direction I want to go with it. Is it a straight forward editing, a photoshop manipulation, a creative toning, etc. The devil is hidden in details, and when you take care of the details the rest will fall into place. I work on skin pore level, often zoomed in way past 100% of the actual image size in order to correct small issues that when fixed become apparent. Good photography is always vision-driven, and the shutter click is literally the last step in capturing a good image. No matter what gear you use, how many assistants you have, if you are not in love with light and do not understand human psychology, you will not make a good portrait photographer. Then come editing skills, and those are vastly important in combining all the elements together - the vision, the captured image, understanding of your model and the ability to feel the image. Those who think that photo retouching is unnatural should ask themselves those questions: Is art supposed to be natural or appealing? Is female make-up or hair styling natural? Were Picasso's paintings realistic? Are brand items really needed? Do you like concept cars? Should we all listen to the same music? I hear a lot of photographers say "I prefer to be out there shooting than sitting in front of the PC editing". For me editing is far more creative than taking photos, and offers a true freedom of creation. Being just a photographer sounds a bit limiting to me. I need more than that.

final edit / model: Lena

final edit / model: Lena

Power and elegance - importance and impact of color grading in portrait photography

image straight from the camera

image straight from the camera

Photo editing is essential in the era of RAW digital photography. Majority of people do not realize that professional photographers do not take photos in.jpg format, but in RAW file format. If you set your camera to produce .jpgs, then the camera does the editing for you. It is the same as setting camera to automatic mode and let it do all the job. No good photographs can come out of such practice. RAW files straight from the camera are flat and without much saturation or contrast, though it all depends on the type of camera used and lens quality. The whole idea of shooting in RAW is to post process the image in Photoshop or Lightroom, and imbue it with personal style. However, portrait editing is not all about removing skin blemishes and smoothing the shadows to make skin look more relaxed and even. Color toning is something that can change a good photo into an amazing one just by skillful adjustments done to colors and tones. Toning changes the mood, look and creates this magazine look that people tend to enjoy, but are not sure why. Professional photo editing could be compared to music in a movie. If you notice the music and it is too obvious you will not enjoy it. Best music is one that fits, but you perceive it only on subconscious level without noticing it is there. For private photoshop workshops via skype please contact me directly or see this page

final photo / model: Lena

final photo / model: Lena

How to capture movement on photos and make it look natural and balanced

When you film moving people in any type of motion, there is a good chance that they will look natural. Now a still photo is a whole different story. Most of photos showing movement will look unnatural and unbalanced, and that is because they freeze one frame of a sequence of moves that only if combined together in fast motion bring balance to that action. In this photo I was photographing a performing belly dancer and shot maybe 25 frames out of which 2 were fairly good, but still not good enough for me to call it a perfect shot. So, I realized that if I combine 3 photos into one in photoshop and select gestures that would show continuity and add some meaning and reason for this pose it will make more sense and balance the photo. Knowledge of how to post process your photos will not only vastly improve the look of your images and give them a unique look, but it gives you freedom of following your vision as an artist, not just a photographer. If you are interested in learning photoshop, contact me for more info.

model: Lena

model: Lena

Ancient art + portraiture = photography on a different level

Everyone can take a snapshot, a few can take a photograph, even fewer can make it fine art image. But for me capturing a photo is merely half way, if not less. Photo editing this days is either abused by those who search for shortcuts, photographers who want to mass produce their images by one-clicking a preset in Lightroom that will edit 100s of photos in minutes, or underestimated by the viewers. We live in era of Instagram garbage, small screens on which you can barely see anything, and so many photos online that no wonder people have troubles with recognizing what is the difference between quality work and something rather dull just colorful. Editing for me is an art form, and one has to be an artist to be able to edit images with a vision, sense of beauty and consistency of ever-evolving style. Being a multi-genre artist, I enjoy merging various forms of visual arts together, be it digital art and photography, creating photo manipulations, or by merging Japanese or Chinese calligraphy art of my authorship with my photography. Calligraphy can be intimidating due to its highly abstract nature, but when accompanied by an image, it much more approachable and perhaps can be appreciated from a different angle.

Calligraphy art in semi-cursive script: 雲中白鶴 (lit. white crane in clouds / meaning; someone of pure heart and transcendent character)

model: Lena

model: Lena

Black and white or color - how to decide on photo post processing

It is said that if a photo does not look good in color, it could still look decent in black and white. Indeed, but only to some extend, but even if it is so it's usually down to pushing it. The truth is that if you want to have great results in black and white, you should post process your photo in color first. If you capture something really interesting, and the shot is slightly out of focus or the composition is off, sure thing, convert it to black and white, throw some filters and call it art. But if you are serious about your portfolio or the quality of your photography art, then you will want your photos to look amazing regardless of whether they are in back and white or color. For me, black and white conversion takes LONGER, than editing photos in color. I make sure I got my shot tuned in color version, and then I work on black and white. I usually decide on post processing in the very moment of capturing the image, especially that retouching is an integral and essential ingredient of a successful image. If you want to learn more about black and white conversion watch my full length in-depth photoshop video tutorial.

Good light and body language - two key elements of portrait photography

No matter who I am photographing, I always say the same thing - I need good light and natural body language, and the rest can be fixed in post production. Modern photography is all about those three elements, and retouching is a seriously underestimated powerhouse. If you are a pro or amature photographer, and especially if you are a portrait photographer, you must learn photo retouching or else your photos will be weak. And I do not care about what all the "pure photography" idiots tell you, they just jealous, lazy or not talented enough to be able to work their own photos. I go even further, I think that post processing is more important than shooting, and the reason for this is simple - the possibilities you have with photoshop (forget lightroom and all the presets, leave that crap for lazy people), provided you have an artistic sense and vision, are endless. For anyone interested in private photoshop workshops, see here. Portrait editing is all about fixing all small issues that we all have as humans, like tiny skin discolorations, skin unevenness, over pronounced features due to unfortunate lighting, things that mess up the compositions but could not be dealt with in camera, and so on. If your editing skills are low, you are stuck with what you capture. Photography is not about what you capture, but what you want to share and show. Photography should not be a xerox copy of reality, but an image of a combination of your own artistic vision with the energy of the unique moment in time that you have witnessed.

model: Diana

model: Diana

Tranquility - the unique beauty of older people portrait photography

Kids and old people - the best you can capture on camera. Kids because they are so pure, so unpredictable, so honest and raw and so everywhere in the same second. Old people because they are like kids, but with suitcases of life experience written all over their faces, no ego, no masks, just peace and tranquility. I captured this image today at Narita san temple complex near Tokyo, one of my favorite photography spots, and most amazing temples in Japan. I do not know who this lady is or what is her name or what was she thinking about before she spotted me taking her photos, so make your own story.