How to compose with light in order to create stunning portrait photos

Difference between a good portrait photo or headshot and an amazing one is almost entirely down to the quality of light. Yes the background is essential, and so is the body language, but if light is poorly directed and its quality (hard, soft, diffused, focused, etc.) is not complimentary to the rest of the image then all will fall apart. To create an outstanding image you not only have to know how to operate with light, but also why and when to use specific techniques that will result in a natural and undisturbed energy flow through the whole image. In other words, when you look at it it has to feel natural, and you should not see any element that stands out to the extent that it dominates the photo in a negative way.

model: Nata

model: Nata

When I work with a new model and I have no idea how to light her face yet, I experiment and search, the I discover and conclude. Everyone has a different face features, and they come with various types of personality. This will require different lighting each time for each person. If you mount your light on spot A and place yourself in spot B every time you shoot, only because it is your safe spot and you know you captured decent images last time and 100 times before it, you will learn nothing and remain medicore at best. Think of your photography as a boat and your model as the wind. Set her lose and don't force posing, and let her steer you in a general direction of what she feels is natural in terms of positioning and body language. Then become a sail and adjust your course. Sailing against the wind is possible but why on earth would you do that.

model: June

model: June

Light should not only direct the eye around the photo but it should be an integral part of the entire composition. If you think about it, there would not be a photo without light. On the other hand even the most amazing model placed in a bad light will look terrible. So you have to be sensitive to body language, yes, but poses and angles that you capture those poses from have to be in symbiosis with the light and its quality. Do not copy and photograph what you can, capture what you feel you should in a given moment. Do not photograph what your eyes see, but follow your heart instead. If you appreciate the subtle differences of light angles, intensity, direction, and so on, your portraits will look much more rich, defined, and peaceful at the same time, regardless of how dynamic the message or subject of the photo is.

model: Saari

model: Saari

Editing is essential for your progress, and I cannot stress this enough. Forget Lightroom and leave it for lazy people. Diving into Photoshop will not only allow you to refine what you have captured in much better and more professional ways than Lightroom ever could but also will do something outstanding- it will slow you down and let you gaze at the image for longer time. You will improve your sense of composition, lighting, understanding body language and help you to narrow down and target your own shortcoming as an artist. Just like a tripod is great for studying architecture photography, Photoshop is amazing for improving your portraiture. Do not mass produce your images but create them. Not only that, if you start working with frequency separation techniques, which are the only way to professionally edit a portrait image or a headshot, you will discover how you can fix issues with shadows and even reshape face features. This is a superb way of learning the light and how it works.

Contact me directly for one-to-one online photoshop tutorials via desktop sharing.
Portrait photography service, Tokyo - website
http://www.portrait-photography-tokyo.com/
Photography workshops in Tokyo: http://www.ryuurui.com/photography-workshops.html
Hire a photographer in Tokyo: http://www.ryuurui.com/hire-a-photographer-in-tokyo.html
Photo blog: http://www.japan-in-photography.com/
Facebook: https://www.facebook.com/ponteryuurui
Twitter: https://twitter.com/PonteRyuurui
Google+: https://plus.google.com/u/0/+PonteRyuurui/posts
For more tutorials and how to videos check out my photoshop and photography tips and tricks YouTube channel: https://www.youtube.com/channel/UCEOVGZ2rpLhR7gSPvaexxxQ

Use photoshop to create what you want, not what others tell you is right.

If I do not say this no one else will. Fuck what others think. Photo retouching is an art and as an artist you are free to do what you feel is right. It is you who decides which way to go, and all you need to listen to is your intuition and heart. Art is about searching your path, constant improvement via experimenting. There is no room for fear and concern about what someone may think. Most of the people have an artistic sense of a boiled potato anyways, and are so jaded and brainwashed with constant flow of junk on Instacrap that they do not know what is art and what isn't anymore. They cannot function without being told, because it makes them feel safe and attached to a trend or social circle. There will always be those who appreciate your art and those who don't. You do not create for them, you create to stay alive and content. you create because you cannot live otherwise.

model: Apple

model: Apple

For me photoshop is like a gateway to freedom of expression. It all starts with a blank sheet or some raw ingredients in a form of images and I can do whatever I please. Every image has its energy, its aura and it will guide you though the process. Sometimes I immediately know how I want to edit an image, and often I shoot with a vision of editing. Nonetheless I may just change my mind half way, or wait even few weeks until I grow up to editing certain photo. Just like a seed planted in your imagination photos will grow on you.

All that however does not excuse ignorance and pigheadedness. Keep learning, discovering, looking around you and listening to your models. Some of them can have seriously cool ideas, just like the model you see on the photo above. She said "can you make me matte black in photoshop?" And I thought "hell yeah". Lots of them are performers or artists. Those ideas will challenge your creativity and skill. Artists should be like kids who learn while and through playing. Be mindful in your play but at the same time lose yourself in it.

Complete portfolio in full resolution: http://ponte-ryuurui-photography.smugmug.com/Portfolio

Photography workshops in Tokyo: http://www.ryuurui.com/photography-workshops.html
Hire a photographer in Tokyo: http://www.ryuurui.com/hire-a-photographer-in-tokyo.html
Photo blog: http://www.japan-in-photography.com/
Facebook: https://www.facebook.com/ponteryuurui
Twitter: https://twitter.com/PonteRyuurui
Google+: https://plus.google.com/u/0/+PonteRyuurui/posts

For more tutorials and how to videos check out my photoshop and photography tips and tricks YouTube channel: https://www.youtube.com/channel/UCEOVGZ2rpLhR7gSPvaexxxQ

How to capture sumblime ethereal moments with your portrait phootgraphy

Do you need dreamy meadows and morning sun piercing through the fog to capture very soft and ethereal images with white vignetting around the edges to empasise the softness? Not really. In fact low key dramatic images that remove the background can be even more sublime than anything else. So what is the secret then? The mood and the post processing. And post processing is VERY important. The mood is something that you capture or evoke. It is happening during the shoot. As a photographer you need to build a connection with your models and learn their body language. How they react, behave, their face mimics, emotions and how to spark them, and so on. This is why I usually work alone, one on one with whomever I photograph. For me portrait photography is like ambient music, it is a one giant tunnel you walk into, or a beam of channeled energy that cannot be disconnected. If a model gets distracted, there goes your shoot or at least a theme.

model: Eccaia

model: Eccaia

The post processing is a massively important. Regardless of how soft your lighting may be if you do not know how to deal with harsh shadow transitions and how to accent certain areas like reflections in the eyes, or how to make other parts of the image become less visible and intrusive, you will not be able to achieve this result. It is a combination of mattified skin, smoothed out highlights and shadows, very selective contrasting and balancing the darkest and the brightest tones. Black and white is not always the way to go. Light and mood in your image is like music. Listen to it, and then you will know what genre it belongs to.

Last but not least, the composition must be in symbiosis with the mood and editing. You need to place your model in the frame according to the feel you are going for, or even better so - the feel you are capturing. Sometimes photographers focus so hard on what they envisioned that they are blinded to what is actually happening. Capture images like an artist not like a craftsman. Capture what you feel not what you see. Be like attentive and sensitive to what is going on in front of your lens, and learn how to adjust instinctively. It is good to have a concept for the shoot, but spontaneous moments make the best photos. It should not be your job to know how not to miss them. It should be your second nature and passion.

Complete portfolio in full resolution: http://ponte-ryuurui-photography.smugmug.com/Portfolio

Photography workshops in Tokyo: http://www.ryuurui.com/photography-workshops.html
Hire a photographer in Tokyo: http://www.ryuurui.com/hire-a-photographer-in-tokyo.html
Photo blog: http://www.japan-in-photography.com/
Facebook: https://www.facebook.com/ponteryuurui
Twitter: https://twitter.com/PonteRyuurui
Google+: https://plus.google.com/u/0/+PonteRyuurui/posts

For more tutorials and how to videos check out my photoshop and photography tips and tricks YouTube channel: https://www.youtube.com/channel/UCEOVGZ2rpLhR7gSPvaexxxQ

 

Importance of matching colors and tones with the mood of a photo

Human skin is very complex in terms of tonal shifts and colors. Depending on the light used during the shoot, you can achieve different results. Light decides everything: mood, composition,  colors, tonal shifts, and so on. Then, during photo retouching, you will need to deal with things like color casts, skin blotchiness, imperfections of skin texture, shadow and highlight bending and uneven transitions between them, discoloration in highlights and excessive saturation in shadows, difference of skin color temperature or even hue depending on the size of the light source used, etc.

model: Nami

model: Nami

Photo retouching is an extremely powerful tool which allows me to complete my artistic vision. I do not care about how things should look like, all I care about is what feel and mood I want to convey. Photo retouching should not be a result of happy accident or what you think others will find appropriate, but a creative tool for finalizing YOUR idea. The same as with photography rules, you master those to break them. Composing a photo is like falling in love, you feel it, you do not think about it or analyze it. There are no limits to art, as long as it does not feel forced or fake. Photography and photo editing should be naturally inspired by what you see and what it makes you feel like. This is also why taking time to choose photo for retouching is of no less importance than the editing process. Not rushing through the retouch or using photoshop presets mindlessly will only benefit you at the end.

If the toning does not match the mood of the photo it will be a visual cacophony. You are composing a symphony, and all the instruments have to be in tune with one another. But understanding all this is not enough. You need a good connection with your model or client, a connection strong enough for you to either capture an emotion that is real and not staged, a moment in between if you will, or be able to evoke it. Only then you will fully understand the mood of your own photo. At that stage a direction in which you should take your retouching will become clear.

Private photoshop workshops via skype - http://www.ryuurui.com/photo-retouching-lessons.html

Photography workshops in Tokyo: http://www.ryuurui.com/photography-workshops.html

Hire a photographer in Tokyo: http://www.ryuurui.com/hire-a-photographer-in-tokyo.html

Photo blog: http://www.japan-in-photography.com/

Facebook: https://www.facebook.com/ponte.ryuurui.photography/

Twitter: https://twitter.com/PonteRyuurui

Google+: https://plus.google.com/u/0/+PonteRyuurui/posts

For more tutorials and how to videos check out my photoshop and photography tips and tricks YouTube channel: https://www.youtube.com/channel/UCEOVGZ2rpLhR7gSPvaexxxQ

How to capture movement on photos and make it look natural and balanced

When you film moving people in any type of motion, there is a good chance that they will look natural. Now a still photo is a whole different story. Most of photos showing movement will look unnatural and unbalanced, and that is because they freeze one frame of a sequence of moves that only if combined together in fast motion bring balance to that action. In this photo I was photographing a performing belly dancer and shot maybe 25 frames out of which 2 were fairly good, but still not good enough for me to call it a perfect shot. So, I realized that if I combine 3 photos into one in photoshop and select gestures that would show continuity and add some meaning and reason for this pose it will make more sense and balance the photo. Knowledge of how to post process your photos will not only vastly improve the look of your images and give them a unique look, but it gives you freedom of following your vision as an artist, not just a photographer. If you are interested in learning photoshop, contact me for more info.

model: Lena

model: Lena

Ancient art + portraiture = photography on a different level

Everyone can take a snapshot, a few can take a photograph, even fewer can make it fine art image. But for me capturing a photo is merely half way, if not less. Photo editing this days is either abused by those who search for shortcuts, photographers who want to mass produce their images by one-clicking a preset in Lightroom that will edit 100s of photos in minutes, or underestimated by the viewers. We live in era of Instagram garbage, small screens on which you can barely see anything, and so many photos online that no wonder people have troubles with recognizing what is the difference between quality work and something rather dull just colorful. Editing for me is an art form, and one has to be an artist to be able to edit images with a vision, sense of beauty and consistency of ever-evolving style. Being a multi-genre artist, I enjoy merging various forms of visual arts together, be it digital art and photography, creating photo manipulations, or by merging Japanese or Chinese calligraphy art of my authorship with my photography. Calligraphy can be intimidating due to its highly abstract nature, but when accompanied by an image, it much more approachable and perhaps can be appreciated from a different angle.

Calligraphy art in semi-cursive script: 雲中白鶴 (lit. white crane in clouds / meaning; someone of pure heart and transcendent character)

model: Lena

model: Lena