It is said that if a photo does not look good in color, it could still look decent in black and white. Indeed, but only to some extend, but even if it is so it's usually down to pushing it. The truth is that if you want to have great results in black and white, you should post process your photo in color first. If you capture something really interesting, and the shot is slightly out of focus or the composition is off, sure thing, convert it to black and white, throw some filters and call it art. But if you are serious about your portfolio or the quality of your photography art, then you will want your photos to look amazing regardless of whether they are in back and white or color. For me, black and white conversion takes LONGER, than editing photos in color. I make sure I got my shot tuned in color version, and then I work on black and white. I usually decide on post processing in the very moment of capturing the image, especially that retouching is an integral and essential ingredient of a successful image. If you want to learn more about black and white conversion watch my full length in-depth photoshop video tutorial.
No matter who I am photographing, I always say the same thing - I need good light and natural body language, and the rest can be fixed in post production. Modern photography is all about those three elements, and retouching is a seriously underestimated powerhouse. If you are a pro or amature photographer, and especially if you are a portrait photographer, you must learn photo retouching or else your photos will be weak. And I do not care about what all the "pure photography" idiots tell you, they just jealous, lazy or not talented enough to be able to work their own photos. I go even further, I think that post processing is more important than shooting, and the reason for this is simple - the possibilities you have with photoshop (forget lightroom and all the presets, leave that crap for lazy people), provided you have an artistic sense and vision, are endless. For anyone interested in private photoshop workshops, see here. Portrait editing is all about fixing all small issues that we all have as humans, like tiny skin discolorations, skin unevenness, over pronounced features due to unfortunate lighting, things that mess up the compositions but could not be dealt with in camera, and so on. If your editing skills are low, you are stuck with what you capture. Photography is not about what you capture, but what you want to share and show. Photography should not be a xerox copy of reality, but an image of a combination of your own artistic vision with the energy of the unique moment in time that you have witnessed.
I have been studying Japanese calligraphy for about 14 years now, and from the very beginning I was extremely lucky to be accepted by Grand Master Kajita Esshuu (梶田越舟) .as his disciple. I have spent over 20 years of my life in various schools, including two universities, overseas schools, etc., yet still he is hands down the best teacher and mentor I have ever head. Grand Master Esshuu is so peaceful and humble that one can almost forget how insanely knowledgeable this man really is. He is a descendant of great Japanese Masters, historical Japanese calligraphers, such as Grand Master Kusabe Meikaku 日下部鳴鶴 (1938 - 1922), who had 3000 disciples and was known as one of the Three Brushes of Meiji Era (three greatest calligraphers of Meiji Era), Grand Master Hidai Tenrai (比田井天来, 1972 - 1939), who was known as the father of modern Japanese calligraphy, and Grand Master Kuwahara Suihou (桑原翠邦, 1906 - 1995), who was so respected in Japan, that he was asked by the Imperial couple to assist them to the mausoleum of Hidai Tenrai and introduce them to his works. Here is a portrait of Esshuu sensei that I took recently. I made it into a faded and slightly damaged photo, and contrasted it against his genuine carefree smile, which is something you cannot find on antique photographs. I thought it would bridge between what is in the past and the present times.
I am not too fond of typical studio shots, with almost flat lighting on the model and plain white background. Those kind of shots are mostly used for ads in magazines, in which the model is removed from the background and the image can be manipulated in every way possible. The problem is that those kind from shots are on the boring side. The light is dull, they all look the same, there is no power, no drama, no impact. Naturally there are exceptions, like amazing models, interesting perspective or angle, great hair or makeup, or amazing fashion design that model is wearing. This is why I love dramatic and moody lighting, shadows, mystery and all that. Shadows provide another set of clothes for a model, or just a cloak if she is nude. It is quite complicated to work with speed lights in low key, as if the model moves only by one or two centimeters it can throw off the entire composition, especially if hard light is considered. Low key photography is also great for learning controlling the light in a very precise way. Once you master low key photography, you can shoot anything. Girls living in Tokyo area or models building their folio who are interested in a photoshoot like this, please message me directly and we can schedule a shoot. You do not have to be a pro.
Every large city is full of characters and fun events. Tokyo is just crazy, you can find literally everything here. Cosplay events are extremely popular, and are a phenomenal feast for portrait or event photographers. They are loaded with exhibitionists who love to perform, and have their photos taken. Here things are very organized, and one has to stand in line to wait for his or her turn to photograph a model. The business cards are exchanged, the bows are being performed and photographer after photographer is taking exactly the same photos, because the cosplay artists have only set poses and they stick to them. Now what is curious, taking photographs before your turn comes up is seen as impolite, which is rather disappointing because the best photos that I took during this event, were taken when I was not supposed to take them. The best portrait photos are usually taken when the model does not expect it. They feel natural and interesting, especially when captured from a third person view, like this one, which turns the photo from a simple headshot, into a much more complex story.