Fall in love with light, and people will fall in love with your portraits

Light is everything in photography. There is no images without any light, just black abyss. It sets the mood, it defines the scene and story, it shapes your thoughts, it directs you eyes, it moves your soul, it determines the energy flow throughout the image, it defines and complements the body language. Everything revolves around light and its quality in a photo. I am often asked by my photography students, what settings did you use for this image, or worse - what camera settings and aperture do you use in your portraits. And I hate hearing those questions not because the answer to it is I do not know but I do not want to know. I simply do not care. Neither should you. I honestly do not remember my camera settings because they are so deliciously unimportant. Instead, I remember the atmosphere, the shadows and how light fell on the model, or what shapes I saw, moments and flashes of images that my mind captured first and then they were recorded with a camera. Camera is a just tool, light is a journey. if you are lost in the scenery, you will not remember that you even hold a walking stick, let alone being aware of how you should be using it.

model: Anna Mitzel

model: Anna Mitzel

Learning your camera essentials is important, naturally, but to be honest, once the camera is set and all the annoying deep menu options and whistles are sorted out, all you will fiddle with is three values, shutter speed, aperture and ISO. So instead of thinking what camera settings you should be using, think of how the scene that you see feels. Is the light falling on your model in away that everything looks balanced and seems harmonious? If not, then change the lights, move yourself, change the angle. Learn how camera sees the world through the specific focal length and aperture and use it creatively. Learn to capture what you want by experimenting wit the camera settings and lenses, not the other way round.

model: Viktoria

model: Viktoria

Do not let the camera hold you back or define the limits of your artistic sense. It may take time, but it is worth it. I had a client recently who asked me if I have experience shooting Asians. It was so clear to me she had no clue on what it is all about. I replied: I shoot personalities not races, I shoot moments not expectations. Every time I shoot, I always bear two things in mind - light quality and environment. Model is my last worry, though it is very important to have all 3 elements in sync, other wise your images may not make much sense. It is the emphasis that you put on the subject of your photo by means of light what matters, and it is irrelevant whether it is a face, a gesture, a vista, or just few random stones on a beach. Fall in love with light and how it is being cast, and the rest will fall into place.

model: Erika Ito

model: Erika Ito

Contact me directly for one-to-one online photoshop tutorials via desktop sharing.
Portrait photography service, Tokyo - website
http://www.portrait-photography-tokyo.com/
Photography workshops in Tokyo: http://www.ryuurui.com/photography-workshops.html
Hire a photographer in Tokyo: http://www.ryuurui.com/hire-a-photographer-in-tokyo.html
Photo blog: http://www.japan-in-photography.com/
Facebook: https://www.facebook.com/ponteryuurui
Twitter: https://twitter.com/PonteRyuurui
Google+: https://plus.google.com/u/0/+PonteRyuurui/posts
For more tutorials and how to videos check out my photoshop and photography tips and tricks YouTube channel: https://www.youtube.com/channel/UCEOVGZ2rpLhR7gSPvaexxxQ

Importance of matching colors and tones with the mood of a photo

Human skin is very complex in terms of tonal shifts and colors. Depending on the light used during the shoot, you can achieve different results. Light decides everything: mood, composition,  colors, tonal shifts, and so on. Then, during photo retouching, you will need to deal with things like color casts, skin blotchiness, imperfections of skin texture, shadow and highlight bending and uneven transitions between them, discoloration in highlights and excessive saturation in shadows, difference of skin color temperature or even hue depending on the size of the light source used, etc.

model: Nami

model: Nami

Photo retouching is an extremely powerful tool which allows me to complete my artistic vision. I do not care about how things should look like, all I care about is what feel and mood I want to convey. Photo retouching should not be a result of happy accident or what you think others will find appropriate, but a creative tool for finalizing YOUR idea. The same as with photography rules, you master those to break them. Composing a photo is like falling in love, you feel it, you do not think about it or analyze it. There are no limits to art, as long as it does not feel forced or fake. Photography and photo editing should be naturally inspired by what you see and what it makes you feel like. This is also why taking time to choose photo for retouching is of no less importance than the editing process. Not rushing through the retouch or using photoshop presets mindlessly will only benefit you at the end.

If the toning does not match the mood of the photo it will be a visual cacophony. You are composing a symphony, and all the instruments have to be in tune with one another. But understanding all this is not enough. You need a good connection with your model or client, a connection strong enough for you to either capture an emotion that is real and not staged, a moment in between if you will, or be able to evoke it. Only then you will fully understand the mood of your own photo. At that stage a direction in which you should take your retouching will become clear.

Private photoshop workshops via skype - http://www.ryuurui.com/photo-retouching-lessons.html

Photography workshops in Tokyo: http://www.ryuurui.com/photography-workshops.html

Hire a photographer in Tokyo: http://www.ryuurui.com/hire-a-photographer-in-tokyo.html

Photo blog: http://www.japan-in-photography.com/

Facebook: https://www.facebook.com/ponte.ryuurui.photography/

Twitter: https://twitter.com/PonteRyuurui

Google+: https://plus.google.com/u/0/+PonteRyuurui/posts

For more tutorials and how to videos check out my photoshop and photography tips and tricks YouTube channel: https://www.youtube.com/channel/UCEOVGZ2rpLhR7gSPvaexxxQ

Harmony between soft and dramatic light in balck and white portrait photography

Two extremes co-existing together in perfect harmony. Symbiosis in dichotomy. This photo is from a recent shoot with an American artist and model Mandy Jane. We set the shoot for 7 am in Yokohama. It was gloomy, rainy and cold, so we had to shoot anywhere with a roof over our heads. Most of the shots are from the underground tunnels in Minato Mirai. We searched for any place with good light, be it natural from outside, artificial or mixed. There is no perfect weather, light or place to shoot. If you understand how light works and how to control it or use it to your advantage, then you can shoot anywhere and anytime. But you can go even one step further, and reshape the light or change the quality of light in photoshop. This is why the skill of shooting with a vision of post processing is so important in my workflow.

Taking a great photo is as complex as sensing how to post process it. This shot was lit by natural light, with delicate influence of artificial ambient light. Light is soft and supple. It was coming through a huge entrance to the underground passages. Now, the light on Mandy's face is soft and delicate, just like her distant and remote expression. Light on the metal blinds at the background, is also soft, but their shape creates dramatic conversation between light and shadow. I purposely softened the light hitting the model even further, because I knew that I want to change the light quality of the background to much more powerful and hard. Parallel horizontal lines create another contrast, because they introduce stability and harmony. This photo expresses a quite intimate moment in a powerful and dramatic setting, but cocooned in a strong vignette which encloses the scene. This is also why I photoshopped out the bottom line which was too bright, and darkened the top one, and also warped the whole left hand side of the photo outwards.

Private photoshop workshops via skype - http://www.ryuurui.com/photo-retouching-lessons.html

Photography workshops in Tokyo: http://www.ryuurui.com/photography-workshops.html

Hire a photographer in Tokyo: http://www.ryuurui.com/hire-a-photographer-in-tokyo.html

Photo blog: http://www.japan-in-photography.com/

Facebook: https://www.facebook.com/ponte.ryuurui.photography/

Twitter: https://twitter.com/PonteRyuurui

Google+: https://plus.google.com/u/0/+PonteRyuurui/posts

For more tutorials and how to videos check out my photoshop and photography tips and tricks YouTube channel: https://www.youtube.com/channel/UCEOVGZ2rpLhR7gSPvaexxxQ

How to retouch a male portrait in photoshop - a few quick tips & speed art video

First thing to realize is that you should usually retouch women and men differently. Most of the retouching techniques are identical, but they are applied with different strength or in a slightly different manner. For instance, the most obvious would be skin retouching, which is a huge part of any portrait editing workflow in photoshop. In most cases, for girls, you will emphasize smoothing not only tonal transitions but also invest lots of time on skin texture smoothing, preferably via the taxing process of micro dodging and burning. Now, men usually look better in hard light and with rougher skin texture. Sometimes you will even want to enhance that roughness, it all depends on what sort of effect you want to achieve. Since women look better in soft light (although not always), naturally you will want to make therm appeal softer. That leads to the contrast (for example though macro dodging and burning) and micro contrast intensity issue (it is a rather vulgar comparison but think here in terms of clarity slider), which can be easily cranked up when you work on male portraits. Even tonal transitions can be harsher in male portraits, but this is not always the case. You will also spend more time on removing imperfections and skin blemishes in female portraits. For men, you can either remove them, or reduce their visual impact, or leave them as they are. Regardless on what you decide, always pay attention to the mood and light

quality in the photo, and the purpose the photo will serve. This applies to both sexes. For instance if you are shooting a headshot for an actor, you will want to stick to the original as close as possible, where in a promotional portrait for commercial website, you will want to make your model look as good as possible, and draw the attention of the viewer to their personality and aura, rather than face features. Below video is a speed art of a portrait edit in photoshop that I did for a friend of mine, a fellow photographer John Becker. The aim of the photo was to display him as a professional with a really sunny and outgoing personality (a mixture of confidence with accessibility), which is exactly who he is in reality.. Black and white high contrast edit allowed me to redirect the attention from the face features to face expression and the eyes. I also lowered the tonal value of the background. The light was very soft, so soft you could call it dull. I had to be really careful with skin retouching and I did very little of micro dodging. At the end of the video you can see a RAW file and final image comparison, so you can easily assess how soft the light was (only ambient light was used, no modifiers or reflectors). If you would like to learn more about professional portrait editing techniques watch my full length in-depth 5.5h long tutorial. Here is a link to a quick guide video.

Private photoshop workshops via skype - http://www.ryuurui.com/photo-retouching-lessons.html

Photography workshops in Tokyo: http://www.ryuurui.com/photography-workshops.html

Hire a photographer in Tokyo: http://www.ryuurui.com/hire-a-photographer-in-tokyo.html

Photo blog: http://www.japan-in-photography.com/

Facebook: https://www.facebook.com/ponte.ryuurui.photography/

Twitter: https://twitter.com/PonteRyuurui

Google+: https://plus.google.com/u/0/+PonteRyuurui/posts

For more tutorials and how to videos check out my photoshop and photography tips and tricks YouTube channel: https://www.youtube.com/channel/UCEOVGZ2rpLhR7gSPvaexxxQ

Understanding complexity of the art of portrait photo retouching in photoshop

Professional portrait editing is a very complex and taxing work, and requires a set of unique skills. One not only has to master photo editing program like photoshop on a technical level, learn numerous tricks and methods of targeting specific issues in the photo, being able to deal with any and all problematic areas, but also be a true artist. If you cannot see or feel the balance and composition, if you do not appreciate the light and its quality, do not know human anatomy and how light affects shapes, have no patience and you are not a perfectionist, if you do not have an artistic vision and a direction you want to follow during editing process, then you will never make a great portrait photography retoucher.

model: Diana (final edit)

model: Diana (final edit)

Portrait editing is there to bring balance between all elements of the photo, regardless whether they are the main point of interest or not, but also to imbue an image with personal vision that will be a continuation or a complementing element to the original photo. There should be a seamless symbiosis between the image and the post processing. That is what defines professional portrait photo retouching. That is why technical skills and outstanding knowledge of the software is not enough. The same goes to photography. Being a geek and knowing all that there is to know about your camera will never be enough to take great photos. That artistic edge is something that cannot be learned, but it has to be developed. There is also the question of passion. I love editing photos, it relaxes me. I enjoy immensely the sheer joy of creating something unique. I actually like it so much, every time I shoot I look forward to editing my images. Without it they would feel incomplete to me.

I have create a series of 5 videos, in which I edit one of my images and give detailed explanations of what I am doing and why. 5.5h of in-depth portrait editing that covers most of the issues that you will come across when working on images in photoshop. Below is a short video guide that summarizes the whole process and it serves as a reference to quickly find areas of interest. I will be adding interactive links to this video that connect directly to the full length tutorials, which you can find on my Youtube channel. I hope that this will cast some light on the importance and depth of professional photo editing, the work that is done behind the scenes long after the photo shoot.

Private photoshop workshops via skype - http://www.ryuurui.com/photo-retouching-lessons.html

Photography workshops in Tokyo: http://www.ryuurui.com/photography-workshops.html

Hire a photographer in Tokyo: http://www.ryuurui.com/hire-a-photographer-in-tokyo.html

Photo blog: http://www.japan-in-photography.com/

Facebook: https://www.facebook.com/ponte.ryuurui.photography/

Twitter: https://twitter.com/PonteRyuurui

Google+: https://plus.google.com/u/0/+PonteRyuurui/posts

For more tutorials and how to videos check out my photoshop and photography tips and tricks YouTube channel: https://www.youtube.com/channel/UCEOVGZ2rpLhR7gSPvaexxxQ

Understanding the connection between image elements and photo retouching

Portrait photography is a very powerful story telling platform. It expresses not only the style, vision and ideas of the photographer, but if done skilfully it captures the true personality of the model, her or his feelings, and mood. It leaves the door to a personal and private space slightly ajar. Those moments last for split of a second and when combined with complementing lighting and balanced natural body language can be further empowered by post processing of an image. Image editing was always present, even in the film days, but in times of digital photography retouching skills are a very powerful artistic tool. It literally allow us to draw on the image. Used sensibly and with understanding can lead to superb results. Every time I edit a photo it is a new adventure into the world of shadows and highlights, colors and shapes, and just like in a puzzle all the elements have to fit to complete the image. Having an idea of post processing has to be in tune with the elements and the mood of the photo. That is why, I never use tools such as coloring presets, or photoshop actions that do the job for me. Just like a camera set to auto, most of automation in editing is a recipe for disaster. I want a full creative control. It takes time, sure, but all the good things do. It is worth every minute spent in the digital dark room. Photography is a symphony of light, which can be either brilliant or poorly composed. It can be inspiring or painful to look at. If the image is inspiring, it will lead you the right way throughout the post processing, as long as you know the which tools you should use to achieve a desired effect, and how to look at the photo to understand its energy. There is a huge difference between editing the way you can, and editing the way you envisioned the final result in your mind when you pressed the shutter. It is a difference between a craftsman and an artist, a difference between a person who captures what they see, and a person who captures what others cannot. Model: Nami

model: Nami

How to capture movement on photos and make it look natural and balanced

When you film moving people in any type of motion, there is a good chance that they will look natural. Now a still photo is a whole different story. Most of photos showing movement will look unnatural and unbalanced, and that is because they freeze one frame of a sequence of moves that only if combined together in fast motion bring balance to that action. In this photo I was photographing a performing belly dancer and shot maybe 25 frames out of which 2 were fairly good, but still not good enough for me to call it a perfect shot. So, I realized that if I combine 3 photos into one in photoshop and select gestures that would show continuity and add some meaning and reason for this pose it will make more sense and balance the photo. Knowledge of how to post process your photos will not only vastly improve the look of your images and give them a unique look, but it gives you freedom of following your vision as an artist, not just a photographer. If you are interested in learning photoshop, contact me for more info.

model: Lena

model: Lena

Black and white or color - how to decide on photo post processing

It is said that if a photo does not look good in color, it could still look decent in black and white. Indeed, but only to some extend, but even if it is so it's usually down to pushing it. The truth is that if you want to have great results in black and white, you should post process your photo in color first. If you capture something really interesting, and the shot is slightly out of focus or the composition is off, sure thing, convert it to black and white, throw some filters and call it art. But if you are serious about your portfolio or the quality of your photography art, then you will want your photos to look amazing regardless of whether they are in back and white or color. For me, black and white conversion takes LONGER, than editing photos in color. I make sure I got my shot tuned in color version, and then I work on black and white. I usually decide on post processing in the very moment of capturing the image, especially that retouching is an integral and essential ingredient of a successful image. If you want to learn more about black and white conversion watch my full length in-depth photoshop video tutorial.

My Japanese calligraphy teacher - Grand Master Kajita Esshuu (梶田越舟)

I have been studying Japanese calligraphy for about 14 years now, and from the very beginning I was extremely lucky to be accepted by Grand Master Kajita Esshuu (梶田越舟) .as his disciple.  I have spent over 20 years of my life in various schools, including two universities, overseas schools, etc., yet still he is hands down the best teacher and mentor I have ever head. Grand Master Esshuu is so peaceful and humble that one can almost forget how insanely knowledgeable this man really is. He is a descendant of great Japanese Masters, historical Japanese calligraphers, such as Grand Master Kusabe Meikaku 日下部鳴鶴 (1938 - 1922), who had 3000 disciples and was known as one of the Three Brushes of Meiji Era (three greatest calligraphers of Meiji Era), Grand Master Hidai Tenrai (比田井天来, 1972 - 1939), who was known as the father of modern Japanese calligraphy, and Grand Master Kuwahara Suihou (桑原翠邦, 1906 - 1995), who was so respected in Japan, that he was asked by the Imperial couple to assist them to the mausoleum of Hidai Tenrai and introduce them to his works. Here is a portrait of Esshuu sensei that I took recently. I made it into a faded and slightly damaged photo, and contrasted it against his genuine carefree smile, which is something you cannot find on antique photographs. I thought it would bridge between what is in the past and the present times.

Black and white photography photoshop retouching workflow (speed art)

I love black and white photography in portraiture. There are no distractions, only 256 tones, and it looks clean, simple and has a great visual impact. It all depends on the type of portraiture, but most portraits look best in black and white. Below is a short video showing my Youtube channel though, and I will be creating more full length in depth tutorials, so make sure you check it out! I took this photo some time ago. I am currently revisiting my older work and re-edit some of the photos. I love photo retouching, I love giving my work new fresh look, and every photographer should review their portfolio once in a while. I do it almost every 6 month to a year, as my skills in editing and vision and style evolve. It is good to keep your photography portfolio up to date and consistent, so the clients know what to expect and they are not getting confused by contradicting styles.

model: Jamosa Ladiva

model: Jamosa Ladiva